The English royal saint Edmund, king and martyr (d. 869) was venerated in Ireland from at least the twelfth century, and Athassel priory in Co. Tipperary was the centre of a cult focussed on a miraculous statue of the saint. This book argues that the veneration of St Edmund and other English saints in Ireland is essential to understanding the complex identity of the 'English of Ireland', the descendants of the Anglo-Norman invaders. The history of Athassel priory, a nominally 'English' monastery patronized by the Burke dynasty, reflected the changing fortunes of Englishness in late medieval Ireland. Although apparent attempts to make St Edmund an additional patron saint of Ireland in the late Middle Ages proved unsuccessful, the spread of the name Eamon (a gaelicized form of Edmund) in Gaelic Ireland in the fifteenth century has left a lasting legacy of this unusual cult of an English saint in Ireland.

From music written in praise of Irish, Scottish, Welsh, and English saints to the selection of Gospel readings by the Dominicans, this book introduces readers to the richness of medieval liturgical culture from across Britain and Ireland. Each of its three main sections opens with a chapter that offers a contextual frame for its key themes. With contributions from leading experts in pre-Reformation music and its sources, the book's focus on Insular liturgy – rather than that of only one part of Britain or Ireland – allows readers to learn about the devotional, political and creative networks at play in shaping liturgical practices: personal, secular, monastic, lay, and professional. The opening part includes broader discussions of Uses, including that of Salisbury, and case studies explore Insular witnesses to devotional activities in honour of both local cults and widely known figures, including St Columba, St Margaret, St Katherine, and the Magi.

This book presents a fresh perspective on eleventh- and twelfth-century Irish architecture, and a critical assessment of the value of describing it, and indeed contemporary European architecture in general, as “Romanesque”. Medieval Irish Architecture and the Concept of Romanesque is a new and original study of medieval architectural culture in Ireland. The book’s central premise is that the concept of a “Romanesque” style in eleventh- and twelfth-century architecture across Western Europe, including Ireland, is problematic, and that the analysis of building traditions of that period is not well served by the assumption that there was a common style. Detailed discussion of important buildings in Ireland, a place marginalised within the “Romanesque” model, reveals the Irish evidence to be intrinsically interesting to students of medieval European architecture, for it is evidence which illuminates how architectural traditions of the Middle Ages were shaped by balancing native and imported needs and aesthetics, often without reference to Romanitas. This book is for specialists and students in the fields of Romanesque, medieval archaeology, medieval architectural history, and medieval Irish studies.

This book examines the experiences and interconnections of the Reformations, principally in Denmark-Norway and Britain and Ireland (but with an eye to the broader Scandinavian landscape as well), and also discusses instances of similarities between the Reformations in both realms. The volume features a comprehensive introduction, and provides a broad survey of the beginnings and progress of the Catholic and Protestant Reformations in Northern Europe, while also highlighting themes of comparison that are common to all of the bloc under consideration, which will be of interest to Reformation scholars across this geographical region.

Throughout the recorded history of Britain, belief in earthbound spirits presiding over nature, the home and human destiny has been a feature of successive cultures. From the localised deities of Britannia to the Anglo-Saxons' elves and the fairies of late medieval England, Britain's godlings have populated a shadowy, secretive realm of ritual and belief running parallel to authorised religion. Twilight of the Godlings delves deep into the elusive history of these supernatural beings, tracing their evolution from the pre-Roman Iron Age to the end of the Middle Ages. Arguing that accreted cultural assumptions must be cast aside in order to understand the godlings – including the cherished idea that these folkloric creatures are the decayed remnants of pagan gods and goddesses – this bold, revisionist book traces Britain's 'small gods' to a popular religiosity influenced by classical learning. It offers an exciting new way of grasping the island's most mysterious mythical inhabitants.

Stories from Irish History is a collection of 13 stories based on selected episodes in Irish history, some of which are unremembered. They are historical fiction, a popular modern genre which has great appeal for many readers. Even though the stories are partly fictional, they are based on extensive historical research. We have to go back in time in order to discover ourselves and our culture. We do not have to live in the past but neither should we deny it. Our history is all around us, in the very air we breathe, not only in our history books but in the hills and valleys, in our lore and literature, in our art and architecture, in our songs and poetry. We know that the past is never past. We need to know who we are and who we used to be. We need to know about our cultural heritage, our pre-history, our lore, our local history and the story behind placenames. Ireland is a nation of story-tellers and historical fiction keeps that tradition alive not only in Ireland but also among the Irish diaspora in the UK, USA, Canada, Australia and New Zealand.

Medieval Ireland is often described as a backward-looking nation in which change only came about as a result of foreign invasions. By examining the wealth of under-explored evidence available, Downham challenges this popular notion and demonstrates what a culturally rich and diverse place medieval Ireland was. Starting in the fifth century, when St Patrick arrived on the island, and ending in the fifteenth century, with the efforts of the English government to defend the lands which it ruled directly around Dublin by building great ditches, this up-to-date and accessible survey charts the internal changes in the region. Chapters dispute the idea of an archaic society in a wide-range of areas, with a particular focus on land-use, economy, society, religion, politics and culture. This concise and accessible overview offers a fresh perspective on Ireland in the Middle Ages and overthrows many enduring stereotypes.