'I am in awe of what Sarah Wain & Jim Buckland have achieved at West Dean and this superb book is a testament to inspired, uncompromising horticulture at its very best.’ Monty Don At West Dean is the story of how Sarah Wain and Jim Buckland brought back to life a neglected garden in Sussex and is a celebration of the gardening excellence they have established there. Super-tidy sheds, meticulously cared for glasshouses, a biomass boiler and steaming compost heaps are the engine that drive the garden forward but these would be nothing without the artistic vision and thoughtful philosophy that Sarah Wain and Jim Buckland bring to this exemplary garden, which attracts thousands of visitors each year. While West Dean’s expansive site is the starting point, At West Dean highlights the unique combination of persistence, skill and artistry that make for a successful garden in any set of circumstances. Richly illustrated with specially commissioned photographs by award-winning garden photographer Andrea Jones. The glories of the garden through the seasons are shown to their full extent, alongside shots of gardeners at work – pruning and tying in climbers, mowing, raking, labelling, washing pots, stacking canes. The results of their labours enhance the book – carefully pruned trees, exquisite lawns, wildflower meadows, renovated flintwork, beautiful vegetables and freshly topiarized shrubs. The gardens at West Dean are defined by horticultural rigour and contemporary efficiencies set against a Victorian backdrop. They are also part of the Edward James Foundation along with West Dean College, which is widely respected for its Arts and Crafts education (Edward James was a passionate early supporter of surrealism and was the original recipient of Salvador Dali’s famous lobster telephone). At West Dean sets a sublime standard to aspire to and is a joyful reminder of the infinite rewards to be gained from a hard day’s work in the garden. Praise for West Dean: 'One of Britain's most exemplary centres of practical horticulture.' Robin Lane-Fox, Financial Times 'The kitchen garden has to be one of the most perfect examples of its kind.' Noel Kingsbury, The Telegraph 'Jim and Sarah have given much of their lives to the gardens at West Dean. Over the many years that I have visited the garden I am always amazed at the high level of horticulture that is displayed in the grounds, and under glass. Over 25 years this incredible pair have gardened to a level that is admirable, and inspirational.' Christine Walkden, horticulturist, broadcaster and writer.

'I am in awe of what Sarah Wain & Jim Buckland have achieved at West Dean and this superb book is a testament to inspired, uncompromising horticulture at its very best.’ Monty Don At West Dean is the story of how Sarah Wain and Jim Buckland brought back to life a neglected garden in Sussex and is a celebration of the gardening excellence they have established there. Super-tidy sheds, meticulously cared for glasshouses, a biomass boiler and steaming compost heaps are the engine that drive the garden forward but these would be nothing without the artistic vision and thoughtful philosophy that Sarah Wain and Jim Buckland bring to this exemplary garden, which attracts thousands of visitors each year. While West Dean’s expansive site is the starting point, At West Dean highlights the unique combination of persistence, skill and artistry that make for a successful garden in any set of circumstances. Richly illustrated with specially commissioned photographs by award-winning garden photographer Andrea Jones. The glories of the garden through the seasons are shown to their full extent, alongside shots of gardeners at work – pruning and tying in climbers, mowing, raking, labelling, washing pots, stacking canes. The results of their labours enhance the book – carefully pruned trees, exquisite lawns, wildflower meadows, renovated flintwork, beautiful vegetables and freshly topiarized shrubs. The gardens at West Dean are defined by horticultural rigour and contemporary efficiencies set against a Victorian backdrop. They are also part of the Edward James Foundation along with West Dean College, which is widely respected for its Arts and Crafts education (Edward James was a passionate early supporter of surrealism and was the original recipient of Salvador Dali’s famous lobster telephone). At West Dean sets a sublime standard to aspire to and is a joyful reminder of the infinite rewards to be gained from a hard day’s work in the garden. Praise for West Dean: 'One of Britain's most exemplary centres of practical horticulture.' Robin Lane-Fox, Financial Times 'The kitchen garden has to be one of the most perfect examples of its kind.' Noel Kingsbury, The Telegraph 'Jim and Sarah have given much of their lives to the gardens at West Dean. Over the many years that I have visited the garden I am always amazed at the high level of horticulture that is displayed in the grounds, and under glass. Over 25 years this incredible pair have gardened to a level that is admirable, and inspirational.' Christine Walkden, horticulturist, broadcaster and writer.

Tamara Tchinarova was born in Romania in 1919 and began her dance training in Paris with emigre ballerinas from the Imperial Russian Ballet. This autobiography highlights her incredible life in Romania and her worldwide dancing career, the tempestuous marriage to actor Peter Finch, and her involvement in his affair with Vivien Leigh."

Horticultural Appropriation is a conversation between an organic food grower and an artist about the possibility and necessity of bringing a decolonial lens to the practice of horticulture. Taking place within West Dean Art College and Gardens, the exchange explores how attempts to decolonise collections and spaces currently happening in arts and cultural institutions might inform the interrogation of the colonial history at the heart of Britain's gardens and gardening.

A teen at boarding school grapples with life, love, and rugby in this unforgettable novel that is “alternately hilarious and painful, awkward and enlightening” (Publishers Weekly, starred review). Ryan Dean West is a fourteen-year-old junior at a boarding school for rich kids. He’s living in Opportunity Hall, the dorm for troublemakers, and rooming with the biggest bully on the rugby team. And he’s madly in love with his best friend Annie, who thinks of him as a little boy. Ryan Dean manages to survive life’s complications with the help of his sense of humor, rugby buddies, and his penchant for doodling comics. But when the unthinkable happens, he has to figure out how to hold on to what’s important, even when it feels like everything has fallen apart. Filled with hand-drawn infographics and illustrations and told in a pitch-perfect voice, this realistic depiction of a teen’s experience strikes an exceptional balance of hilarious and heartbreaking.

Evil comes in frightening and familiar forms in this terrifying novel from #1 New York Times bestselling author Dean Koontz. Once there was a girl who ran away and joined a traveling carnival. She married a man she grew to hate—and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands... Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children—Joey loves monster movies and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer. The time has come for Amy and Joey to pay for her sins, because the carnival is coming back to town...

Named one of the Best Books of the Year by NPR An NPR Best Book of the Year, exploring the impact of Latinos’ new collective racial identity on the way Americans understand race, with a new afterword by the author Who are Latinos and where do they fit in America’s racial order? In this “timely and important examination of Latinx identity” (Ms.), Laura E. Gómez, a leading critical race scholar, argues that it is only recently that Mexican Americans, Puerto Ricans, Cubans, Dominicans, Central Americans, and others are seeing themselves (and being seen by others) under the banner of a cohesive racial identity. And the catalyst for this emergent identity, she argues, has been the ferocity of anti-Latino racism. In what Booklist calls “an incisive study of history, complex interrogation of racial construction, and sophisticated legal argument,” Gómez “packs a knockout punch” (Publishers Weekly), illuminating for readers the fascinating race-making, unmaking, and re-making processes that Latinos have undergone over time, indelibly changing the way race functions in this country. Building on the “insightful and well-researched” (Kirkus Reviews) material of the original, the paperback features a new afterword in which the author analyzes results of the 2020 Census, providing brilliant, timely insight about how Latinos have come to self-identify.