At the Beach Café, Poems 1991-2009, is a collection of over 40 poems written and performed in beach cafés in California, the French Riviera, and on the French island chains. It is an eclectic and penetrating situational study of island lifestyles. Motifs of love, integrity, art and war are interwoven in the text.

20UNDER40: Re-Inventing the Arts and Arts Education for the 21st Century is an anthology of critical discourse that addresses the impending generational shift in arts leadership by publishing twenty essays about the future of the arts and arts education each written by young and emerging arts professionals under the age of forty. In the process of doing so, 20UNDER40 brings the voices of young arts leaders out of the margins and into the forefront of our cultural dialogue.

In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."

A collection of poems by twentieth-century American poet William Stafford, featuring unpublished works from his last year of life, including the poem he wrote the day he died, and providing selections drawn from throughout his career, from the 1960s through the 1990s.

Essays, interviews, and poetry by revered poet and teacher William Stafford

Sound of the Ax brings together for the first time over four hundred aphorisms and twenty-six aphoristic poems by one of America's most essential poets of the twentieth century. Many readers are familiar with the trenchant nature of William Stafford's poems, with lines such as "Justice will take us millions of intricate moves" and "Your job is to find what the world is trying to be," but have never had the opportunity to read a sustained selection from the thousands of wise, witty, and penetrating statements he created in over forty years of daily writing in his journal. In keeping with Stafford's varied interests, the aphorisms in Sound of the Ax explore many topics—war and peace, involvement, aging, appearances, fear, egotism, writing, nature, animals, suffering, faith, living an ethical life, and so on—with his incisive view. The poems are either made up entirely or primarily aphorisms, and range from the well-known "Things I Learned Last Week" to some never before collected. Readers will find much to enjoy and to think about here, and will return over and over to Sound of the Ax for inspiration, pleasure, and wisdom from an author noted for his integrity and mindful living.

Born the year World War I began, acclaimed poet William Stafford (1914-1993) spent World War II in a camp for conscientious objectors. Throughout a century of conflict he remained convinced that wars simply don't work. In his writings, Stafford showed it is possible--and crucial--to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away. This book gathers the evidence of a lifetime's commitment to nonviolence, including an account of Stafford's near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford's pacifist poems and interviews from elusive sources. Stafford provides an alternative approach to a nation's military habit, our current administration's aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.