An eerie discovery brings danger and painful reminders of a tragic past ... When some workmen dig up a skeleton, Homicide Inspector Rebecca Mayfield finds herself investigating a death that took place years earlier. She never imagines that it will have major repercussions on the lives of people she now cares deeply about, or that it will put each of them in danger. Despite the bitter memories resurrected, as a cop, Rebecca has no choice but to pursue the inquiry wherever it might lead. But that doesn't make it easier, especially when it's clear that the special man in her life, Richie Amalfi, wants her to stop. Dangers abound, moving quickly from warnings to out-and-out attacks. The past is shrouded in mystery, but as the truth begins to emerge, it becomes apparent that one or more people are willing to kill to keep it buried. Yet, Rebecca refuses to abandon the case because the dead, although silent, do speak. And it's her job to listen. This is a mystery you won't want to miss. Join the growing number of Inspector Rebecca Mayfield fans, as the books proceed from One O’Clock Hustle, to Two O’Clock Heist, Three O’Clock Séance, and so on. Once you start them, you’ll find the hours just seem to fly by…

Young woman trying to lead a normal life in spite of obstacles in her way. Setting: 1980s, orchestra, Chicago; references to work at Interpol and United Kingdom intelligence services, and to family history in England and Switzerland. Use of British English and American English. Point of View: Omniscient Author couched between two chapters of First Person. Fiction. Completed, Polished "Draft". Some action, romance, spy. Flags: some language, some implied sex, some drug use, some violence.

"Lida Stearl prides herself on always knowing the most appropriate thing to do in any given situation--confidence that has served her well in building her career as an orthodontist, maintaining a happy marriage, and raising her young niece in the wake of a violent tragedy. But now she's a widowed, retired empty-nester and the small perfections of an orderly life are not quite enough to stop her from feeling adrift. Then a well-intentioned birthday gift leads to the discovery that Clarence Lusk, on death row for the murder of Lida's sister, is seeking penpals from the outside. And so, for the first time in her life, Lida crosses a line: she begins to write to him, pretending to be naive, twenty-three, and just the slightest bit flirtatious. As letters pass steadily between Lida and Clarence, her preoccupation with his crime and its echoes intensifies, and she finds that crossing one line makes the ones that follow all the more tempting to cross"--Publisher.