Discreet, inconspicuous, prudent... The perfect prime-ministerial aide is always in the background, a low-profile figure unknown outside the Westminster bubble. Unfortunately, reality often falls short of the ideal; for as long as the office of Prime Minister has existed, its occupants have been supported by a range of colourful individuals who have garnered public interest, controversy and criticism. At Power's Elbow tells their story for the first time, uncovering the truth behind three centuries' worth of prime ministers and their aides. Its subjects range from the early media-managers and election-fixers of Sir Robert Walpole, to the teams supporting the wartime premierships of David Lloyd George and Winston Churchill, to the semi-official 'Department of the Prime Minister' established under Tony Blair. Along the way, Andrew Blick and George Jones demonstrate how these essential advisers can be a source of both solace and strife to their chiefs, solving and causing problems in almost equal measure. Above all, they reveal how a Prime Minister's approach to his staff can define his premiership, for better or for worse.

A classic handbook for anyone who needs to write, Writing With Power speaks to everyone who has wrestled with words while seeking to gain power with them. Here, Peter Elbow emphasizes that the essential activities underlying good writing and the essential exercises promoting it are really not difficult at all. Employing a cookbook approach, Elbow provides the reader (and writer) with various recipes: for getting words down on paper, for revising, for dealing with an audience, for getting feedback on a piece of writing, and still other recipes for approaching the mystery of power in writing. In a new introduction, he offers his reflections on the original edition, discusses the responses from people who have followed his techniques, how his methods may differ from other processes, and how his original topics are still pertinent to today's writer. By taking risks and embracing mistakes, Elbow hopes the writer may somehow find a hold on the creative process and be able to heighten two mentalities--the production of writing and the revision of it. From students and teachers to novelists and poets, Writing with Power reminds us that we can celebrate the uses of mystery, chaos, nonplanning, and magic, while achieving analysis, conscious control, explicitness, and care in whatever it is we set down on paper.

A landmark book in the debate over free will that makes the case for compatibilism. In this landmark 1984 work on free will, Daniel Dennett makes a case for compatibilism. His aim, as he writes in the preface to this new edition, was a cleanup job, “saving everything that mattered about the everyday concept of free will, while jettisoning the impediments.” In Elbow Room, Dennett argues that the varieties of free will worth wanting—those that underwrite moral and artistic responsibility—are not threatened by advances in science but distinguished, explained, and justified in detail. Dennett tackles the question of free will in a highly original and witty manner, drawing on the theories and concepts of fields that range from physics and evolutionary biology to engineering, automata theory, and artificial intelligence. He shows how the classical formulations of the problem in philosophy depend on misuses of imagination, and he disentangles the philosophical problems of real interest from the “family of anxieties” in which they are often enmeshed—imaginary agents and bogeymen, including the Peremptory Puppeteer, the Nefarious Neurosurgeon, and the Cosmic Child Whose Dolls We Are. Putting sociobiology in its rightful place, he concludes that we can have free will and science too. He explores reason, control and self-control, the meaning of “can” and “could have done otherwise,” responsibility and punishment, and why we would want free will in the first place. A fresh reading of Dennett's book shows how much it can still contribute to current discussions of free will. This edition includes as its afterword Dennett's 2012 Erasmus Prize essay.