Assembling Past Worlds draws on new materialism and the philosophy of Gilles Deleuze to explore the potential for a posthumanist archaeology. Through specific empirical study, this book provides a detailed analysis of Neolithic Britain, a critical moment in the emergence of new ways of living, as well as new relationships between materials, people and new forms of architecture. It achieves two things. First, it identifies the major challenges that archaeology faces in the light of current theoretical shifts. New ideas place new demands on how we write and think about the past, sometimes in ways that can seem contradictory. This volume identifies seven major challenges that have emerged and sets out why they matter, why archaeology needs to engage with them and how they can be dealt with through an innovative theoretical approach. Second, it explores how this approach meets these challenges through an in-depth study of Neolithic Britain. It provides an insightful diagnosis of the issues posed by current archaeological thought and is the first volume to apply the philosophy of Gilles Deleuze to the extended analysis of a single period. Assembling Past Worlds shows how new approaches are transforming our understandings of past worlds and, in so doing, how we can meet the challenges facing archaeology today. It will be of interest to both students and researchers in archaeological theory and the Neolithic of Europe.

This blistering, fearless, and unforgettable literary novel finds a woman with everything on the line and a life-or-death decision waiting for her—perfect for fans of Claudia Rankine and Jenny Offill. Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going. The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart? Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away. "Virginia Woolf's Mrs. Dalloway meets Claudia Rankine's Citizen...as breathtakingly graceful as it is mercilessly true.”—Olivia Sudjic, author of Sympathy and Asylum Road A woman confronts the most important question of her life in this blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo) “A quiet, measured call to revolution…This is the kind of book that doesn’t just mark the moment things change, but also makes that change possible.”—Ali Smith, author of Summer "Brilliant. Brown's gaze is piercing."—Avni Doshi, author of Burnt Sugar

Lukas Rieppel shows how dinosaurs gripped the popular imagination and became emblems of America’s industrial power and economic prosperity during the Gilded Age. Spectacular fossils were displayed in museums financed by North America’s wealthiest tycoons, to cement their reputation as both benefactors of science and fierce capitalists.

The study of ancient architecture reveals much about the social constructs and culture of the architects, builders, and inhabitants of the structures, but few studies bridge the gap between architecture and archaeology. This comprehensive examination of sites in the Ohio Valley, going as far north as Ontario, integrates structural engineering and wood science technology into the toolkit of archaeologists. Presenting the most current research on structures from pre-European contact, Building the Past allows archaeologists to expand their interpretations from simply describing postmold patterns to more fully envisioning the complex architecture of critical locations like Hopewell, Moorehead Circle, and Brown’s Bottom.

At various times in a span of fifteen years, John McPhee made geological field surveys in the company of Eldridge Moores, a tectonicist at the University of California at Davis. The result of these trips is Assembling California, a cross-section in human and geologic time, from Donner Pass in the Sierra Nevada through the golden foothills of the Mother Lode and across the Great Central Valley to the wine country of the Coast Ranges, the rock of San Francisco, and the San Andreas family of faults. The two disparate time scales occasionally intersect—in the gold disruptions of the nineteenth century no less than in the earthquakes of the twentieth—and always with relevance to a newly understood geologic history in which half a dozen large and separate pieces of country are seen to have drifted in from far and near to coalesce as California. McPhee and Moores also journeyed to remote mountains of Arizona and to Cyprus and northern Greece, where rock of the deep-ocean floor has been transported into continental settings, as it has in California. Global in scope and a delight to read, Assembling California is a sweeping narrative of maps in motion, of evolving and dissolving lands.

This is the story of Henry Ford's Greenfield Village. In 1916 Henry Ford proclaimed that "history is more or less bunk"-at least its focus on politicians and military heroes was bunk. Thirteen years later, he sought to correct this error by opening the Greenfield Village museum, which celebrated the history of farmers and inventors. The village eventually included a replica of Thomas Edison's Menlo Park, New Jersey, laboratory, the Wright brothers' cycle shop and home from Dayton, Ohio, and Ford's own Michigan birthplace. Artisan shops, a Cotswold cottage from England, and two brick slave cabins reflected Ford's idiosyncratic worldview.