Winner of an Honorable Mention in the Professional/Scholarly Publishing Awards given by the Association of American Publishers Between 1618 and 1750, sixteen people—nine women and seven men—were brought to the attention of the ecclesiastical authorities in Venice because they were reporting visions, revelations, and special privileges from heaven. All were investigated, and most were put on trial by the Holy Office of the Inquisition on a charge of heresy under various rubrics that might be translated as "pretense of holiness." Anne Jacobson Schutte looks closely at the institutional, cultural, and religious contexts that gave rise to the phenomenon of visionaries in Venice. To explain the worldview of the prosecutors as well as the prosecuted, Schutte examines inquisitorial trial dossiers, theological manuals, spiritual treatises, and medical works that shaped early modern Italians' understanding of the differences between orthodox Catholic belief and heresy. In particular, she demonstrates that socially constructed assumptions about males and females affected how the Inquisition treated the accused parties. The women charged with heresy were non-elites who generally claimed to experience ecstatic visions and receive messages; the men were usually clergy who responded to these women without claiming any supernatural experience themselves. Because they "should have known better," the men were judged more harshly by authorities. Placing the events in a context larger than just the inquisitorial process, Aspiring Saints sheds new light on the history of religion, the dynamics of gender relations, and the ambiguous boundary between sincerity and pretense in early modern Italy.

Between 1618 and 1750, sixteen people -- nine women and seven men -- were brought to the attention of the ecclesiastical authorities in Venice because they were reporting visions, revelations, and special privileges from heaven. All were investigated, and most were put on trial by the Holy Office of the Inquisition on a charge of heresy under various rubrics that might be translated as "pretense of holiness." Anne Jacobson Schutte looks closely at the institutional, cultural, and religious contexts that gave rise to the phenomenon of visionaries in Venice. To explain the worldview of the prosecutors as well as the prosecuted, Schutte examines inquisitorial trial dossiers, theological manuals, spiritual treatises, and medical works that shaped early modern Italians' understanding of the differences between orthodox Catholic belief and heresy. In particular, she demonstrates that socially constructed assumptions about males and females affected how the Inquisition treated the accused parties. The women charged with heresy were non-elites who generally claimed to experience ecstatic visions and receive messages; the men were usually clergy who responded to these women without claiming any supernatural experience themselves. Because they "should have known better," the men were judged more harshly by authorities. Placing the events in a context larger than just the inquisitorial process, Aspiring Saints sheds new light on the history of religion, the dynamics of gender relations, and the ambiguous boundary between sincerity and pretense in early modern Italy.

Many Italians in the early sixteenth century challenged Church authority and orthodoxy, stimulated by religious 'Reformation' debates and the lack of agreement on alternatives to Rome's leadership. This book surveys and analyses the various positive and negative responses which led to a re-formation of Church institutions, and parish life for the lay population, especially after the Council of Trent in 1563. Church, Religion and Society in Early Modern Italy: - Discusses the roles of bishops and parochial clergy, seminaries and religious education - Examines religious orders and lay confraternities, particularly in relation to 'good works' or philanthropy - Explains the varied uses of the visual arts, music, processions and festivities to enthuse and educate the laity - Pays special attention to two controversial issues: the Inquisition's role and the stricter enclosure of nuns Comprehensive yet approachable, Christopher F. Black's volume incorporates diverse religious practices and experiences, and explores the successes and failures of reform throughout mainland Italy during a period of religious and social upheaval.

"Lollard" is the name given to followers of John Wyclif, the English dissident theologian who was dismissed from Oxford University in 1381 for his arguments regarding the eucharist. A forceful and influential critic of the ecclesiastical status quo in the late fourteenth century, Wyclif's thought was condemned at the Council of Constance in 1415. While lollardy has attracted much attention in recent years, much of what we think we know about this English religious movement is based on records of heresy trials and anti-lollard chroniclers. In Feeling Like Saints, Fiona Somerset demonstrates that this approach has limitations. A better basis is the five hundred or so manuscript books from the period (1375–1530) containing materials translated, composed, or adapted by lollard writers themselves.These writings provide rich evidence for how lollard writers collaborated with one another and with their readers to produce a distinctive religious identity based around structures of feeling. Lollards wanted to feel like saints. From Wyclif they drew an extraordinarily rigorous ethic of mutual responsibility that disregarded both social status and personal risk. They recalled their commitment to this ethic by reading narratives of physical suffering and vindication, metaphorically martyring themselves by inviting scorn for their zeal, and enclosing themselves in the virtues rather than the religious cloister. Yet in many ways they were not that different from their contemporaries, especially those with similar impulses to exceptional holiness.

Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's unique inquisitorial autobiography and the transcripts of her preceding testimony, expertly transcribed and eloquently translated into English, allow us to enter an unfamiliar sector of the past and hear 'another voice'—that of a humble Venetian woman who had extraordinary experiences and exhibited exceptional courage. Born in 1609 into an artisan family, Cecilia Ferrazzi wanted to become a nun. When her parents' death in the plague of 1630 made it financially impossible for her to enter the convent, she refused to marry and as a single laywoman set out in pursuit of holiness. Eventually she improvised a vocation: running houses of refuge for "girls in danger," young women at risk of being lured into prostitution. Ferrazzi's frequent visions persuaded her, as well as some clerics and acquaintances among the Venetian elite, that she was on the right track. The socially valuable service she was providing enhanced this impresssion. Not everyone, however, was convinced that she was a genuine favorite of God. In 1664 she was denounced to the Inquisition. The Inquisition convicted Ferrazzi of the pretense of sanctity. Yet her autobiographical act permits us to see in vivid detail both the opportunities and the obstacles presented to seventeenth-century women.

Michael Foley’s fans have been devoutly drinking with the saints for years. Now it’s time for dinner! The inimitable theologian and mixologist teams up with the priest and TV chef Leo Patalinghug in a culinary romp through the liturgical year. Want to get closer to the saints while upping your dinner game? Now every meal can be a family feast-with the Saints! Dining with the Saints brings the Catholic liturgical year to life, pairing over two hundred saints' stories with an irresistible smorgasbord of international recipes. Craving a breakfast treat? Join St. David of Wales and learn to craft Crempogs-Welsh pancakes-in March. Searching for a spicey dinner feast? Uncover the life of St. Cristobal of Mexico and serve up a delicious pinto bean soup with queso fresco dumplings during the month of May. Tempted by sweets? Honor St. Agrippina of Mineo with a crostata di pesca, a free-form peach tart. Featuring dozens of new and exciting recipes, Dining with the Saints provides an unforgettable feast that sinners and saints will enjoy!

This book focuses on the comparatively unknown cults of new saints in late-mediaeval Venice. These new saints were near-contemporary citizens who were venerated by their compatriots without official sanction from the papacy. In doing so, the book uncovers a sub-culture of religious expression that has been overlooked in previous scholarship. The study highlights a myriad of hagiographical materials, both visual and textual, created to honour these new saints by members of four different Venetian communities: The Republican government; the monastic orders, mostly Benedictine; the mendicant orders; and local parishes. By scrutinising the hagiographic portraits described in painted vita panels, written vitae, passiones, votive images, sermons and sepulchre monuments, as well as archival and historical resources, the book identifies a specifically Venetian typology of sanctity tied to the idiosyncrasies of the city’s site and history. By focusing explicitly on local typological traits, the book produces an intimate and complex portrait of Venetian society and offers a framework for exploring the lived religious experience of late-mediaeval societies beyond the lagoon. As a result, it will be of keen interest to scholars of Venice, lived religion, hagiography, mediaeval history and visual culture.