The book intends to present a critique of some select, 21st Century, hard science fiction novels in order to explicate the various ways in which the elements of posthumanism, transhumanism, techno-singularity intersect and interact with other such ideas as monstrosity, animality, machinicity, post-anthropocentrism, and Anthropocene. The study divides its analysis into seven different chapters and attempts to present an elaborate study on various aspects of posthumanism, transhumanism, and singularity. The book despite being a collection of miscellaneous essays actually intends to show how a technologically mediated transhuman/posthuman culture will normally be defined by a total dissolution of binaries such as digital and real, animal and human, and machine and man. The book also wants to describe through its analysis of some select hard science fiction novels, that man-machine merger and creation of hyper-immersive virtual reality can function as two of the most effective agents for catalyzing a radically transformative, posthuman, post-scarcity, and techno-utopian culture. The analysis presented in the book is not totally oriented to the discussion of far-future implications of accelerated technological progress which is imperative for arriving at a transhuman or posthuman stage; rather, the book is equally concerned with the implications of rapid technological advancements in our present times, and so the study also posits that before ascending to the heights of posthuman status mankind has to cope with the good and bad aspects of the Anthropocene which is the next stage in our collective evolution and journey towards the trans-/posthuman state. The first chapter of this study attempts to bring to focus the phenomenon of a technologically-mediated dissolution of the binaries between man/animal, human/nonhuman, and subject/object which will be extremely important in the analysis of the emergence of a posthuman culture later in the study. Technological advancements can be seen here as either conducive towards creating a harmonious relationship between man and animal or through systematic denigration of the agency of the animal it can pave the way for the emergence of monstrosity. In Chapter 2 of the book, we shall delve deep into the analysis of horror as illustrated in the novels and video games of the Dead Space series. Here, through a multi-theoretical perspective, we shall find how horrors and monstrosity can manifest themselves in both written as well as digital, virtual media. In Chapter 3, we shall delve into the discussion of the power of simulation in the construction of an immersive and hyperreal post- /transhuman culture where the distinction between real and virtual and material and immaterial vanishes altogether. In Chapter 4 we dedicate the entire chapter to the study of Kim Stanley Robinson’s systems novel The Ministry for the Future (2020) to attempt a critique of the elements of good and bad Anthropocene. Though not directly and intimately related to the study of posthumanism and transhumanism, yet a discussion of the elements of the Anthropocene will be of immense contemporary relevance to us. The next Chapter, i.e., Chapter 5 will attempt to present an explication of the role of machines in the realization of posthuman culture. Chapter 6 is primarily concerned with an analysis of Stephen Baxter’s novels to see how posthuman culture is constructed around the agency of the autopoietic machines. The final chapter attempts to present a brief analysis of three of Iain M Banks’ Culture novels, namely Matter, Surface Detail, and Hydrogen Sonata to elaborate on the employment of posthuman/transhuman tropes in these works.

Transhumanism and Posthumanism in Twenty-First Century Narrative brings together fifteen scholars from five different countries to explore the different ways in which the posthuman has been addressed in contemporary culture and more specifically in key narratives, written in the second decade of the 21st century, by Dave Eggers, William Gibson, John Shirley, Tom McCarthy, Jeff Vandermeer, Don DeLillo, Margaret Atwood, Cixin Liu and Helen Marshall. Some of these works engage in the premises and perils of transhumanism, while others explore the qualities of the (post)human in a variety of dystopian futures marked by the planetary influence of human action. From a critical posthumanist perspective that questions anthropocentrism, human exceptionalism and the centrality of the ‘human’ subject in the era of the Anthropocene, the scholars in this collection analyse the aesthetic choices these authors make to depict the posthuman and its aftereffects.

In order to demonstrate that speculative fiction provides a valuable contribution to the discussion about the challenges of the Anthropocene, Images of the Anthropocene in Speculative Fiction investigates a range of novels whose subject matter pertains to various aspects of the Anthropocene. These include the destruction and protection of the natural environment, the relationship between human and non-human inhabitants of the planet, the role of myth in the shaping of and combat against the Anthropocene, the political dimensions of the Anthropocene, the ensuing threat of the Apocalypse, and the role of post-apocalyptic narratives. To explore these topics our authors examine the works of Patricia Briggs, M.R. Carey, Dmitry Glukhovsky, Ursula K. Le Guin, N.K. Jemisin, Stephenie Meyer, China Miéville, James Patterson, Maggie Stiefvater, J.R.R. Tolkien, and Scott Westfield. Their essays demonstrate that speculative fiction, given its ability to pursue scenarios of alternative history and present familiar things in an unfamiliar way, can alter the readers’ perception of their duties and responsibilities towards their communities and the world, so that the threat of human-wrought destruction might ultimately be averted.

This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.

This volume, including an extended interview with noted philosopher of posthumanism Francesca Ferrando, explores the contemporary philosophical, literary and cultural landscapes that have emerged as a response to the unavoidable crisis faced by humans in the Anthropocene era. The essays gathered here map posthumanism both as theoretical posthumanism, which primarily seeks to develop new knowledge, and as practical posthumanism, which emphasizes socio-political, economic, and technological changes. Posthumanism, which explores how one can address the question of what means to be human today, is a burgeoning area of interest among universities across the globe. Written in accessible, yet scholarly, language, this volume introduces posthumanism in its diverse ramifications and explicates the subject through various literary and filmic texts in order to cater to the needs of researchers and students in the humanities.