For millennia plant and animal species have received little sustained attention as subjects of Christian theology and ethics in their own right. Focused on the human dilemma of sin and redemptive grace, theology has considered the doctrine of creation to be mainly an overture to the main drama of human being`s relationship to God. What value does the natural world have within the framework of religious belief? The crisis of biodiversity in our day, when species are going extinct at more than 1,000 times the natural rate, renders this question acutely important. Standard perspectives need to be realigned; theology needs to look out of the window, so to speak as well as in the mirror. Ask the Beasts: Darwin and the God of Love leads to the conclusion that love of the natural world is an intrinsic element of faith in God and that far from being an add-on, ecological care is at the centre of moral life.

An examination of the relationship between faith in God and the concept of ecological care within a crisis of biodiversity

After the publication of On the Origin of Species in 1859, theologians were faced with the dilemma of God creating through evolution. Suddenly, pain, suffering, untimely death and extinction appeared to be the very tools of creation, and not a result of the sin of humanity. Despite this paradigm shift, the question of non-human suffering has been largely overlooked within theodicy debates, overwhelmed by the extreme human suffering of the twentieth century. This book redresses this imbalance by offering a rigorous academic treatment of the questions surrounding God and the suffering of non-human animals. Combining theological, philosophical, and biblical perspectives, this book explores the relationship between God and Creation within Christian theology. First it dismantles the popular theological view that roots violence and suffering in the animal kingdom in the fall of humanity. Then, through an exploration of the nature of love, it affirms that there are multiple reasons to suggest that God and creation can both be "good", even with the presence of violence and suffering. This is an innovative exploration of an under-examined subject that encompasses issues of theology, science, morality and human-animal interactions. As such, it will be of keen interest to scholars and academics of religion and science, the philosophy of religion, theodicy, and biblical studies.

'Since the middle of the twentieth century,' writes Elizabeth Johnson, 'there has been a renaissance of new insights into God in the Christian tradition. On different continents, under pressure from historical events and social conditions, people of faith have glimpsed the living God in fresh ways. It is not that a wholly different God is discovered from the One believed in by previous generations. Christian faith does not believe in a new God but, finding itself in new situations, seeks the presence of God there. Aspects long-forgotten are brought into new relationships with current events, and the depths of divine compassion are appreciated in ways not previously imagined.' This book sets out the fruit of these discoveries. The first chapter describes Johnson's point of departure and the rules of engagement, with each succeeding chapter distilling a discrete idea of God. Featured are transcendental, political, liberation, feminist, black, Hispanic, interreligious, and ecological theologies, ending with the particular Christian idea of the one God as Trinity.

Found Theology is a book about how theology deals with newly-encountered (of 'found') material in time, and about the role of imagination in these encounters. The book is unusual and ground-breaking exercise in the interdisciplinary discussion of theology and the arts. Ben Quash brings together elements of doctrine, scripture, the fine arts and the experiences of everyday life. He looks closely at Christian artistic traditions via a number of case studies that represent a rich source of examples of the way that the new times properly stimulate new expressions of known and loved things. Quash engages closely with some serious and prominent American scholars, namely Peter Ochs, Daniel W. Hardy, C.S. Peirce and David H. Kelsey.

Bestselling author Brian D. McLaren followed his love of nature (specifically, tortoises) all the way to the Galapagos Islands. There, he paid close attention to the flora and fauna around him but also to what was happening within him, how the natural world awakened his soul in a way that organized religion could not. McLaren's descriptions of birds and reptiles, fish and flowers sing; he walks in the footsteps of Charles Darwin and grieves that Darwin has been demonized by his fellow Christians; and he reflects on how his own faith has evolved in the years since he left the pastorate. McLaren writes in the spirit of Aldo Leopold and Wendell Berry, weaving together the spiritual and the material. Even though most readers will never visit the Galapagos Islands, they can travel with McLaren and experience the beauty and fragility of this extraordinary place.