Byron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.

The voyages of an Englishman carry him to such strange places of Lilliput, a land of people six inches high, Brobdingnag, a land of giants, and Glubbdubdrib, an island of sorcerers.

Arguably the greatest science fiction writer who ever lived, Isaac Asimov also possessed one of the most brilliant and original minds of our time. His accessible style and far-reaching interests in subjects ranging from science to humor to history earned him the nickname “the Great Explainer.” I. Asimov is his personal story—vivid, open, and honest—as only Asimov himself could tell it. Here is the story of the paradoxical genius who wrote of travel to the stars yet refused to fly in airplanes; who imagined alien universes and vast galactic civilizations while staying home to write; who compulsively authored more than 470 books yet still found the time to share his ideas with some of the great minds of our century. Here are his wide-ranging thoughts and sharp-eyed observations on everything from religion to politics, love and divorce, friendship and Hollywood, fame and mortality. Here, too, is a riveting behind-the-scenes look at the varied personalities—Campbell, Ellison, Heinlein, Clarke, del Rey, Silverberg, and others—who along with Asimov helped shape science fiction. As unique and irrepressible as the man himself, I. Asimov is the candid memoir of an incomparable talent who entertained readers for nearly half a century and whose work will surely endure into the future he so vividly envisioned.

Explains the historical, legendary, and mythological background of 38 plays and 2 narrative poems.

Paradise Lost was recognized as a major epic poem soon after its publication in 1667. For more than three centuries, critics have been describing, interpreting, and evaluating it. Regardless of their approaches to changing literary values, they have generally accepted it as the prime example of the epic in English. As many critics have observed, the poem brought biblical, literary, cultural, social, scientific, and political elements into such aesthetic harmony that even its detractors have been forced to recognize its greatness. And because of its complexity, it has become a test case in literary studies as a focal point for changing critical assumptions and literary values. This reference book traces the critical reception of Paradise Lost from the 17th century to the present. The volume is organized in chapters devoted to particular centuries, with each chapter presenting a selection of reviews and critical essays from that period. Thus the reader is able to chart the changing response to ^IParadise Lost^R over time. An introductory essay summarizes the reception of Milton's work, and a bibliography lists important sources of additional information. The volume is organized in chapters devoted to particular centuries. Each chapter then presents a selection of reviews and critical essays from that period. Thus the reader is able to read the 17th-century responses of Samuel Barrow, John Dryden, and Joseph Addison; the 18th-century reactions of Alexander Pope, Samuel Johnson, and William Blake; the 19th-century reactions of British Romantic and Victorian poets; and the 20th-century contributions of major scholars such as E.M.W. Tillyard, Stanley Fish, Louis Martz, and Northrop Frye. The volume closes with a sampling of Milton's own comments about Paradise Lost and the epic, and a selected bibliography of major editions, reference works, and critical studies.