A delightful history of the Hindi film song and its hold over popular psyche De de Khuda ke naam pe' sang Wazir Mohammed Khan in Alam Ara (1931), giving birth to a phenomenon—the Hindi film song. Over the years, the Hindi film song has travelled a long way, influencing and being influenced by popular taste. Considered downmarket not so long ago, it is undoubtedly the most popular musical genre in India today, pervading almost all aspects of Indian life—weddings, funerals, religious festivals, get-togethers and political conventions—and emerging as a medium to articulate every shade of joy and sorrow, love and longing, hope and despair. "Bollywood Melodies traces the evolution of the Hindi film song to its present status as the cultural barometer of the country, through an evaluation of the work of over fifty outstanding composers, singers and lyricists—from K.L. Saigal to Sonu Nigam, Naushad to A.R. Rahman, Sahir Ludhianvi to Javed Akhtar. Placing the song in the social context of the times, Gancsh Anantharaman looks at the influences that shaped it in each era: Rabindra Sangcct in the 1930s, the folk-inspired 1940s, the classical strains of the following decade and the advent of Western beats in the late 1960s. The author also chronicles the decline of music in Hindi films over the next twenty years before a new crop of musicians and singers gave the film song a new lease of life." Erudite yet lively, and including insightful interviews with icons like Lata Mangeshkar, Dev Anand, Gulzar, Manna Dey and Pyarelal, Bollywood Melodies is not only a treasure trove of information for music lovers but also an invaluable guide to understanding the nation’s enduring love affair with the Hindi film song.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 13 JULY, 1969 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 78 VOLUME NUMBER: Vol. XXXIV. No. 29 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-78 ARTICLE: 1. Gandhiji And His Contemporaries 2. Machiavelli 3. Ends And Means : The Gandhian View AUTHOR: 1. Gurdial Mailik 2. R. Jameel Ahmed 3. Dr. P. K. Sundaram Document ID : APE-1969 (J-J) Vol-II-03 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

This book, covering a range of music essays, is a compendium of many articles that were published in several newspapers and have since been updated. The collection also features many subjects not published before. Some of our films’ great artists are profiled, especially in their relationship with songs we remember them by. Such people include the actors Dilip Kumar, Rajendra Kumar and Sadhana, the composer Madan Mohan, and the singer Mukesh. Musical instruments such as bagpipes, the tambourine, and the drums can also be found in these pages, with where such instruments were featured in the Hindi film song. Equally importantly, you will find essays on ideas that have engaged with our music. These include cycling, suicides, Mumbai’s pride Marine Drive and composers who sang their own tunes. It’s a platinum offering of 75 diverse stories.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 3 MARCH, 1963 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 67 VOLUME NUMBER: Vol. XXVIII. No. 9 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-65 ARTICLE: 1. Gold Control 2. Meeting The Challenge: Debt of Gratitude 3. Need of the Hour 4. Women And the National Emergency 5. China Isolated 6. The Need for Discipline 7. Impressions of NEFA AUTHOR: 1. G. B. Kotak 2. B. R. Mandloi 3. N. A. Nikam 4. Smt. Suchita Kripalani 5. Prem Bhatia 6. Gen. Mohan Singh 7. Kuldip Nayar KEYWORDS : 1. From Ancient Times,Smuggling to stop,Main Aim. 2. For Jawans DependentsTraining of Technicians.ATesting time,Philosophy of Action 3. Rightuous War. 4. Numerous Brave Women,Again in forfront,In civil defence,Helping the jawans families 5. Chinas policy attacked,China's contention,Permanant Threat,Huge efforts needed. 6. Just a warning.Be unselfish and BeVigilant. 7. Everything normal,The Brave jawansPrices Stationary,Hindi Jawans Jindabad. Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Sujata Dev, an entrepreneur with a background in Mathematics, Statistics and Economics, and over 20 years’ experience in the Media and Entertainment industry, started the first IPTV venture in India. A speaker at several seminars and forums on M&E, Telecom and Economics worldwide, her research and white papers on the convergence of Telecom and Entertainment have been widely appreciated across Asia, Europe and USA. In 2009, she represented India at Asia Women’s Business and Economic Conference, Tokyo. A recipient of the Global Indian Achiever’s Award, in 2011, she is also Managing Director, Third Generation Mobile Pvt. Ltd., Co-chairperson, National Committee of M&E, ASSOCHAM, Founder Member & Senior Vice President, Indian Broadband Forum, member of Executive Council, International Chamber of Commerce (ICC) & Society Member of the Governing body, IIM, Shillong. Passionate about music—Indian and Western—Sujata has been a fan of Mohammed Rafi since her childhood. This book is her tribute to the legendary playback singer whose songs have marked our growing-up years. Talking Points Authorized biography of legendary singer Mohammed Rafi Foreword by Dilip Kumar Rare insight into the subject’s life and his music Several contemporaries speak on the legend Photographs from the subject’s personal archives Free documentary film with close to 50 people including composers, lyricist, actors, singers and contemporaries speaking on Rafi Worldwide readership/market Cinema buffs, music lovers and teachers, composers, singers, music conductors, lyricists, film historians, students, special-edition collectors, libraries, museums, cultural and educational institutions, general-trade readers.