Once upon a time, our ancestors told tales of asexuality, symbolic stories that hint at other identities: a princess who grows a beard to escape marriage, a knight who forsakes his wife's bed to become a werewolf, a goddess with detachable parts, a planet where everyone is asexual. Drawn from many times and places, retold and reimagined for the 21st century, Elizabeth Hopkinson's second book of myths and tales brings asexuality out of the closet and gives it the history it has been denied.

A girl who crafts a husband from marzipan. A man who thinks he's made of glass. A nonbinary sibling who succeeds where their brothers fail. An origin story for the asexual flag. In this third collection, Elizabeth Hopkinson collects, combines and reinvents tales from Spain to China, El Salvador to India, bringing asexual identities to the fore. With original stories about a gender-swapped Cinderella, a poster in love, and a queer platonic relationship, this is her most inventive collection yet.

Myths and legends are deeply rooted in the world's literature, language, and history. But what does the phrase "Achilles heel" refer to, and what did Oedipus or Beowulf actually do? Gather round for enthralling stories of gods, danger, heroes, and great cosmic events. With over 1000 illustrations, Myths and Legends explores epic global stories, bringing to life the greatest creation myths of all time, such as that of Brahma and Vishnu, and the Inca god Viracocha. It brings you monstrous creatures and terrifying people including the witch Baba Yaga, as well as epic adventures such as King Arthur's search for the Holy Grail and Jason's capture of the Golden Fleece. It tells how the Masai first got their cattle, or how the Greeks discovered fire and shares legends that explain death, including the story of the Maori god Tane. Originally passed down from one generation to the next, these sagas from all over the world are part of our heritage and touch our hearts. Myths and Legends provides context and meaning to each one, and is a treasure trove for everyone interested in their cultural legacy.

This book is dealing with the study of mythology around the world, relating to and dealing with the interpretation of myths, legends, and occasionally extending to logos, speech. It explains myths and their allegorical narrative pertaining to the gods, demigods, and legendary heroes of a particular people and their branch of knowledge that deals with a popular belief or assumption that has grown up around someone or something. Myths explained as traditional stories about the past, often including religious or fantastic elements; as they can be found in all societies, although they may function in different ways. They may be attempts to explain the origins of the universe and of mankind, the development of political institutions, or the reasons for ritual practices, or they may simply be told for the love of a good story.

For the first time, the true story of "The Yellow Rose of Texas" is told in full, revealing a host of new insights and perspectives on one of America's most popular stories. For generations, the Yellow Rose of Texas has been one of America's most popular western myths, growing larger over time and little resembling the truth of what happened on April 21, 1836, at the battle of San Jacinto, where a new Texas Republic won its independence. The woman who has been popularly connected to the story was an ordinary but also quite remarkable free black woman from the North, Emily D. West. This work reconstructs her experience, places it in full context and explores the evolution of a most fanciful myth.

Intertextuality has signaled change, appropriation, adaptation, and derivation. It has focused readers on irresolvable questions of influence and origination, progressive or regressive movement across continents, periods, and media. Inhabited by Stories: Critical Essays on Tales Retold takes a different approach. What would a model of literary study look like that steps out of time’s river and embraces not only the presence and proximity of the world to the senses, but also of the past and the future to the present here and now? When stories inhabit us, imagination and memory extend our ability to see and feel. Phenomenological experience is lived, not just thought. Such a perspective suggests that the past and future inhabit the present, increase the depth of sensory perception itself, and enrich the range of our affective and ethical responses. Grounded in the lived experience of reading, this perspective offers an alternative to an idea of intertextuality as simply following lines of influence and appropriation. It focuses on the expansion of experience created by telling and retelling stories. Ironically, for literary theorists and critics, perhaps the highest form of both praise and critique is a tale retold, since such retellings attest to literature’s instructive power and its perennial regeneration.

Spanning the globe and thousands of years, Queer Mythology highlights the legends and tales of LGBTQIA+ gods, heroes, spirits and more. Myths and legends tell our stories. They connect us and show us not only who we are, but also reflect the people during the time the stories were first told. And LGBTQIA+ people have been a part of every community since the dawn of storytelling. From Tu’er Shen, the Chinese rabbit god who protected those yearning to come out in an unaccepting world, to Ghede Nibo, the Haitian spirit who performed drag in the realm of the dead, the twenty myths told in this collection capture one irrefutable fact—even as labels, language, and definitions have changed, LGBTQIA+ people have always existed. Some of these myths are not widely known. Others are myths that you may think you know, but over time their inherent queerness has been erased. Queer Mythology offers fresh retellings, paired with beautiful illustrations, to give new life and celebrate the inspirational and resilient LGBTQIA+ community in some of humanity’s earliest tales.