The story of the so-called Good Thief as found in Lc 23, 39-43 has a vibrant and diverse afterlife in early Christianity. Synoptic and eschatological disparities raise concerns and provoke a variety of harmonizations. Controversies notwithstanding, early interpreters occupy themselves most of all with the episode's potential for exhortation as they identify themselves and their hearers with the good bandit. He becomes a model of Christian practices, beliefs and virtues including worship, faith (even Nicea's formulation), justification by faith, conversion, catechesis, confession, martyrdom, baptism (in many modes), endurance, asceticism, simplicity of language, penitence, and last-minute salvation. A wide variety of typological readings fashion the bandit as the first to return to paradise and even a key participant in the pivotal moment of salvation-history. By around the late 4th century, the episode becomes a standard Good Friday lectionary reading and sermon topic in the East.

A recovery and rediscovery of the surprising strangeness of blood in theological (especially Christian) and civic discourse.

Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text-both the liberative possibilities and the ways that Luke upholds the patriarchal status quo-and guide readers to empowering reading strategies.

Compilation of little-known and never-before-published apocryphal Christian texts in English translation This anthology of ancient nonbiblical Christian literature presents informed introductions to and readable translations of a wide range of little-known apocryphal texts, most of which have never before been translated into any modern language. An introduction to the volume as a whole addresses the most significant features of the writings included and contextualizes them within the contemporary study of the Christian Apocrypha. The body of the book comprises thirty texts that have been carefully introduced, copiously annotated, and translated into English by eminent scholars. With dates of composition ranging from the second century CE to early in the second millennium, these fascinating texts provide a more complete picture of Christian thought and expression than canonical texts alone can offer.

Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text—both the liberative possibilities and the ways that Luke upholds the patriarchal status quo—and guide readers to empowering reading strategies.

Compilation of little-known and never-before-published apocryphal Christian texts in English translation This anthology of ancient nonbiblical Christian literature presents informed introductions to and readable translations of a wide range of little-known apocryphal texts, most of which have never before been translated into any modern language. An introduction to the volume as a whole addresses the most significant features of the writings included and contextualizes them within the contemporary study of the Christian Apocrypha. The body of the book comprises thirty texts that have been carefully introduced, copiously annotated, and translated into English by eminent scholars. With dates of composition ranging from the second century CE to early in the second millennium, these fascinating texts provide a more complete picture of Christian thought and expression than canonical texts alone can offer.

"The Bee Hunters" is an adventurous novel penned by Gustave Aimard, a notable French author recognized for his works in the Western genre. Originally published in the 19th century, the narrative unfolds against the rugged landscapes of the American West, weaving a tale of exploration and survival. The protagonist, Red Cedar, stands out as a skilled bee hunter navigating the untamed wilderness. Aimard's narrative takes readers on a journey filled with encounters with Native American tribes, natural obstacles, and the demanding realities of frontier life. As Red Cedar grapples with the challenges posed by the wilderness, the novel explores the clash of cultures and the intricate dynamics of life on the expanding American frontier. Aimard's storytelling prowess shines through as he paints a vivid picture of the harsh yet captivating landscapes, capturing the essence of the Wild West during a transformative period in history. "The Bee Hunters" is more than a gripping adventure; it serves as a cultural exploration, delving into the complexities of human survival and interaction in the face of the vast, challenging, and often unforgiving American frontier.