Every queer person lives with the trauma of AIDS, and this plays out intergenerationally. Usually we hear about two generations—the first, coming of age in the era of gay liberation, and then watching entire circles of friends die of a mysterious illness as the government did nothing to intervene. And now we hear about younger people growing up with effective treatment and prevention available, unable to comprehend the magnitude of the loss. But there is another generation between these two, one that came of age in the midst of the epidemic with the belief that desire intrinsically led to death, and internalized this trauma as part of becoming queer. Between Certain Death and a Possible Future: Queer Writing on Growing up with the AIDS Crisis offers crucial stories from this missing generation in AIDS literature and cultural politics. This wide-ranging collection includes 36 personal essays on the ongoing and persistent impact of the HIV/AIDS crisis in queer lives. Here you will find an expansive range of perspectives on a specific generational story—essays that explore and explode conventional wisdom, while also providing a necessary bridge between experiences. These essays respond, with eloquence and incisiveness, to the question: How do we reckon with the trauma that continues to this day, and imagine a way out?

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

Winner of the 2013 John Hope Franklin Book Prize presented by the American Studies Association A necessary read that demonstrates the ways in which certain people are devalued without attention to social contexts Social Death tackles one of the core paradoxes of social justice struggles and scholarship—that the battle to end oppression shares the moral grammar that structures exploitation and sanctions state violence. Lisa Marie Cacho forcefully argues that the demands for personhood for those who, in the eyes of society, have little value, depend on capitalist and heteropatriarchal measures of worth. With poignant case studies, Cacho illustrates that our very understanding of personhood is premised upon the unchallenged devaluation of criminalized populations of color. Hence, the reliance of rights-based politics on notions of who is and is not a deserving member of society inadvertently replicates the logic that creates and normalizes states of social and literal death. Her understanding of inalienable rights and personhood provides us the much-needed comparative analytical and ethical tools to understand the racialized and nationalized tensions between racial groups. Driven by a radical, relentless critique, Social Death challenges us to imagine a heretofore “unthinkable” politics and ethics that do not rest on neoliberal arguments about worth, but rather emerge from the insurgent experiences of those negated persons who do not live by the norms that determine the productive, patriotic, law abiding, and family-oriented subject.

The terrifyingly true tale of a daring British special forces rescue mission and all-out assault on a savage Sierra Leone guerrilla gang: “What a story!” (Frederick Forsyth, #1 New York Times–bestselling author of The Day of the Jackal). Officially, the SAS mission was called Operation Barras. The men on the ground called it Operation Certain Death. In 2000, the British Special Air Service (SAS) attempted its riskiest rescue mission in more than half a century. A year before, an eleven-man patrol of Royal Irish Rangers who were training government troops in Sierra Leone was captured and held prisoner by the infamously ruthless rebel forces known as the West Side Boys. Their fortified base was hidden deep in the West African jungle, its barricades adorned with severed heads on spikes. Some four hundred heavily armed renegades were not only bloodthirsty—they were drink-and-drugs crazed. The guerrillas favored pink shades, shower caps, and fluorescent wigs, draping themselves in voodoo charms they believed made them bulletproof—a delusion reenforced by the steady consumption of ganja, heroin, crack, and sweet palm wine. This was the vicious and cutthroat enemy British special forces would confront in order to rescue their own. Featuring extensive interviews with survivors, this gritty, blow-by-blow account of the bloody battle that brought an end to ten years of Africa’s most brutal civil war is “as good as any thriller I have ever read. This really is the low down” (Frederick Forsyth).

When the circus comes to town, Poppy Fields and her best friend, Graham, soon discover that the 'certain death' promised on the posters is no joke. With one person dead and the circus performers still in grave danger, the pair will have to work fast to discover who's firing the shots.

HE THOUGHT HE LEFT THE WAY BEHIND. BUT IT'S COME HOME WITH HIM. A bomb explodes in a newly designed shopping complex in the centre of Nottingham, ripping through the lives of everyone in its wake. Confirmed as a targeted, terrorist attack, special units are quickly brought in to lock down the area. For bomb-disposal expert, Staff Sergeant Dominic Riley, Afghanistan never feels far away and that's especially true on the morning of the bombing. Riley isn't on active duty, but that doesn't stop him fighting his way to the destruction - which is only just beginning. What he doesn't yet know is that this is just the start - that the bomb-maker and those who hired him have bigger plans in place, ones that are designed for maximum destruction. Plans that are personal. For Riley - and his family. It's a race against time to work out the link before more people are killed - because Riley is our only hope. And he just might be our last. Perfect for fans of Chris Ryan, Andy McNab and Frank Gardner, this is the first compulsive, breathless, edge-of-your-seat thriller from Sunday Times bestselling author and bomb disposal expert, Kim Hughes GC. Praise for Kim's memoir Painting the Sand: 'Breathtaking. Kim Hughes is the man who stands between us and oblivion' Andy McNab (author of Bravo Two Zero) 'An uplifting and enlightening account of the personal courage and dedication required to do a very lonely job in the most extreme of conditions' John Nichol (The Mail On Sunday)