The superbly crafted stories collected in Alistair MacLeod’s As Birds Bring Forth the Sun and Other Stories depict men and women acting out their “own peculiar mortality” against the haunting landscape of Cape Breton Island. In a voice at once elegiac and life-affirming, MacLeod describes a vital present inhabited by the unquiet spirits of a Highland past, invoking memory and myth to celebrate the continuity of the generations even in the midst of unremitting change. His second collection, As Birds Bring Forth the Sun and Other Stories confirms MacLeod’s international reputation as a storyteller of rare talent and inspiration.

Alexander MacDonald guides us through his family’s mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in “the land of trees,” where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came.

Winner of the PEN/Malamud Award: “The genius of his stories is to render his fictional world as timeless.”—Colm Tóibín The sixteen exquisitely crafted stories in Island prove Alistair MacLeod to be a master. Quietly, precisely, he has created a body of work that is among the greatest to appear in English in the last fifty years. A book-besotted patriarch releases his only son from the obligations of the sea. A father provokes his young son to violence when he reluctantly sells the family horse. A passionate girl who grows up on a nearly deserted island turns into an ever-wistful woman when her one true love is felled by a logging accident. A dying young man listens to his grandmother play the old Gaelic songs on her ancient violin as they both fend off the inevitable. The events that propel MacLeod's stories convince us of the importance of tradition, the beauty of the landscape, and the necessity of memory.

The famous verses from the Book of Ecclesiastes are accompanied by exquisite illustrations, each rendered in the style of a different world culture...An ecumenical, artistic, and cultural experience, rich in beauty and expansive in its appreciation of ethnic variety." - School Library Journal, starred review. "Readers will be awed by the breadth and depth of the artwork...[and] the seriousness and thought the Dillons have put into the book.... [A] book that can be examined and thought about by generations of young readers." - Booklist, starred review

The story is simple, seen through the eyes of an 11-year-old boy. As an adult he remembers the way things were back home on the farm on the west coast of Cape Breton. The time was the 1940s, but the hens and the cows and the pigs and the sheep and the horse made it seem ancient. The family of six children excitedly waits for Christmas and two-year-old Kenneth, who liked Halloween a lot, asks, “Who are you going to dress up as at Christmas? I think I’ll be a snowman.” They wait especially for their oldest brother, Neil, working on “the Lake boats” in Ontario, who sends intriguing packages of “clothes” back for Christmas. On Christmas Eve he arrives, to the delight of his young siblings, and shoes the horse before taking them by sleigh through the woods to the nearby church. The adults, including the narrator for the first time, sit up late to play the gift-wrapping role of Santa Claus. The story is simple, short and sweet, but with a foretaste of sorrow. Not a word is out of place. Matching and enhancingthe text are black and white illustrations by Peter Rankin, making this book a perfect little gift. For readers from nine to ninety-nine, our classic Christmas story by one of our greatest writers.

The stories of The Lost Salt Gift of Blood are remarkably simple – a family is drawn together by shared and separate losses, a child’s reality conflicts with his parents’ memories, a young man struggles to come to terms with the loss of his father. Yet each piece of writing in this critically acclaimed collection is infused with a powerful life of its own, a precision of language and a scrupulous fidelity to the reality of time and place, of sea and Maritime farm. Focusing on the complexities and abiding mysteries at the heart of human relationships, the seven stories of The Lost Salt Gift of Blood map the close bonds and impassable chasms that lie between man and woman, parent and child.

Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.