Charles Rohlfs (1853-1936) ranked among the most innovative furniture makers at the turn of the twentieth century. Praised by the international press and exhibited throughout the United States and Europe, his beautiful works grew out of an interesting mix of styles that included Arts and Crafts, Art Nouveau, and proto-modernism. This book presents the first major study of this important American designer and craftsman, drawing upon new photographs and fresh sources of information. Alongside traditional historical approaches, the book presents detailed formal, structural, and stylistic analyses of Rohlfs's well-known masterpieces from major museums, together with lesser-known objects in public and private collections. Topics include discovering the contribution of Rohlfs's wife--mystery novelist Anna Katharine Green--to his designs; the far-ranging sources of his idiosyncratic motifs; his influence on Gustav Stickley's designs; his commissioned interiors; his efforts at self-promotion and marketing; and his attempts to define a conceptual framework for his artistic endeavor. Handsomely designed and illustrated, the book also features a complete set of unpublished period illustrations of over seventy works.

First published in 1998. Design reform in the fields of architecture and the decorative or applied arts became objectified through writings published during the period of 1885 to 1910. This investigation includes, but is not limited to, Art Nouveau in France and Belgium, and the arts and crafts movement in England and the United States. Even though the similar processes of creativity and shared goals of Art Nouveau and the arts and crafts movement have long been recognized, attempts to explore their origins and their points of interrelation with the broader scope of art history have been largely unsuccessful—until now.

The Art Deco movement - with its emphasis on up-to-date individuality combined with good taste, fine materials and exquisite workmanship - became all the rage in France. Other countries produced their own versions of the style, but in furniture especially, the French predominated: the world had not seen such creative design for 125 years; on the one hand, the virtuoso cabinet-making of Ruhlmann, on the other, the brilliant originality of Gray and Legrain. Alastair Duncan introduces us to the work of over eighty architects, furniture makers and interior designers. The colour and monochrome photographs - almost all of them specially commissioned for this book - form a valuable portfolio of Art Deco furniture which should be of special value to those seeking comprehensive information about a design movement which has proved of lasting appeal both to collectors and to the general public.

Devoted to the Arts and Crafts Movement past and present, this new magazine celebrates the revival of quality and craftsmanship. Each issue is a portfolio of the best work in new construction, restoration, and interpretive design, presented through intelligent writing and beautiful photographs. Offering hundreds of contemporary resources, it showcases the work not only of past masters, but also of those whose livelihoods are made in creating well-crafted homes and furnishings today. The emphasis is on today’s revival in architecture, furniture, and artisanry, informed by international Arts & Crafts and the early-20th-century movement in America: William Morris through the Bungalow era. Includes historic houses, essays and news, design details, how-to articles, gardens and landscape, kitchens and baths. Lots of expert advice and perspective for those building, renovating, or furnishing a home in the Arts & Crafts spirit. From the publisher of Old-House Interiors magazine and the Design Center Sourcebook. artsandcraftshomes.com

For several years this has been the standard text on nineteenth-century British furniture, which continues to be the focus of an extraordinary growth of interest in the United States and throughout Europe.This exhaustive survey of a rich and rewarding chapter in the history of the decorative arts contains an astonishing range of photographs and drawings: more than six hundred illustrations, many of them in color, offer a uniquely comprehensive look at nineteenth-century furniture from the Gothic Revival to Art Nouveau. Every major designer is represented, including William Morris, Charles Rennie Mackintosh, Christopher Dresser, and the choice of pictures includes a wealth of little-known furniture from private collections, much of which has never before been illustrated.A cheerful text enhanced by lavish picture layouts. -- The New York Times

Stickley is a name synonymous with style in America. The five Stickley brothers were fully engaged in the furniture industry around the turn of the century and had a huge impact on America's statement of style. Here, for the first time, the representative photos and ideas of all the brothers' work appear together in one volume, to compare and contrast, so that readers might make their own evaluations.