In commemoration of Artists Space's 25th Anniversary Year, this 350+ page, exhaustively illustrated compilation brings to life the history of one of the most renowned and multifaceted exhibition and arts service organizations of our time. Since the 1970's, Artists Space has played a pivotal role in shaping contemporary art, and this book employs not just a detailed chronology of the exhibitions, services and events of Artists Space, but also the recollections of the artists themselves: Barbara Kruger, Cindy Sherman, Laurie Anderson, Jonathan Borofsky, Mike Anderson, Tom Lawson, Adrian Piper, and many more.

The Art of Space is the most comprehensive celebration of space art ever to be published, profiling the development of space-based art in a variety of media. In The Art of Space, award-winning artist and best-selling author Ron Miller presents over 350 high-quality and often photorealistic images that chart how artists throughout history, working with the knowledge and research available during their time, have endeavored to construct realistic images of visions throughout the universe. Beginning with depictions of space ships, unmanned probes, and space stations, Miller moves through collections that also illustrate the planets, moons, galaxies, and stars; cities, colonies, and space habitats; and possible alien life. The artwork presented here has been created in a variety of media, from the woodcuts and oil paintings of the Victorian and Edwardian eras to the digitally enhanced work of contemporary artists. Each chapter also includes two special features: one profile of an artist or group of artists of particular influence and one sidebar discussion of general cultural topics, such as the use of space art for propaganda purposes during the Cold War or the impact of the digital revolution on the resources available to artists. A fascinating study on the intersection of science and the artistic imagination, The Art of Space shows how astronomy and space travel has been reflected in popular art and public perception over the past two centuries. With forewords from Carolyn Porco and Dan Durda, this book is the ultimate resource for space art fans.

Long before humans wrote, we painted. From mud and ash to acrylic and computers, artists across the centuries have found countless inventive ways to explore and express some of life’s biggest mysteries. Enter space art, a genre of artistic expression that strives to capture the wonders of our universe. This lavishly illustrated book chronicles the remarkable development of space art from a fledgling theme to a modern movement. In Part I, we traverse the history of art and astronomy from ancient times, through the Industrial Revolution, and into the 20th-century Space Age. Part II delves into the diverse techniques and subgenres of space art, where you will learn about things like rocks and balls, hardware art, and cosmic expressionism. Along the way, we’ll stop at places where neither humans nor spacecraft can easily go, from the scorching surface of Venus and the radiation-soaked volcanoes of Io to the alien terrain of exoplanets and the depths of distant galaxies. Featuring hundreds of original color images from space artists and astronomers alike, this book is a vivid visual story about the power of art, astronomy, and human curiosity. A heavily revised edition of the original Beauty of Space, it will entertain, educate, and inspire anybody who yearns to make sense of the strange and surreal sights in our universe.

The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually—at the center of an art world that careens across institutions, markets, and disciplines. A companion for anyone engaged with the spectacular sites of art at its making, The Studio Reader reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism. Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA)

Like most fields called "creative," interior design has been fraught with mystery. People are led to believe that there's something magical about it, something that's simply beyond the comprehension of mere mortals. You've been led to believe that "only the professionals," "the high priests and priestesses" of creativity are qualified to tackle the ancient mysteries of design. Well, that's a myth, and many in the design industry are major promoters of the myth. The last thing a lot of designers want is for you to get a "look behind the curtain." Mary Cook is a nationally recognized interior designer. Her Chicago-based firm, Mary Cook Associates, has been delivering award-winning interior design for commercial and residential clients for more than 25 years. In the midst of her company's growth, something happened. Mary Cook Associates began to get more and more calls to "fix" interiors that had just been completed by someone else, but somehow didn't "feel right" to the clients or the people using them. In analyzing the problems, somewhere after the twentieth fix, Mary had the epiphany that led to her revolutionary synthesis of the principles of interior design. She managed to distill all successful interior design into the seven fundamentals that are now collectively known as "The Art of Space." In her new book, "The Art of Space," each of the seven fundamentals is explained and also demonstrated in scores of beautiful, enlightening and inspiring photographs that illustrate exactly how the elements really work. This book will not miraculously transform you into a professional designer. But, it will help you develop the abilities you have so you can grow, participate and enjoy the process and the benefits of successful interior design. There is something magical about interior design. But now, Mary Cook has demystified the process, making it accessible and understandable to everyone from the serious student of design to the adventurous homeowner. Thanks to "The Art of Space," you get to "look behind the curtain" and experience the magic yourself. Learn more at http://www.artofspace.us

"Published in conjunction with the touring exhibition, Light, Space, Surface. Itinerary: Addison Gallery of American Art, Phillips Academy October 2, 2021-January 30, 2022 Frist Art Museum June 3, 2022-September 6, 2022"--