Artistic (Self)-Representations of Islam and Muslims

Artistic (Self)-Representations of Islam and Muslims
Title Artistic (Self)-Representations of Islam and Muslims PDF eBook
Author Ramona Mielusel
Publisher Springer Nature
Pages 242
Release 2022-01-01
Genre Social Science
ISBN 3030812340

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Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines.

Women, Patronage, and Self-Representation in Islamic Societies

Women, Patronage, and Self-Representation in Islamic Societies
Title Women, Patronage, and Self-Representation in Islamic Societies PDF eBook
Author D. Fairchild Ruggles
Publisher State University of New York Press
Pages 262
Release 2000-08-03
Genre Social Science
ISBN 0791493075

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The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publicly adopted the stance of the viewer, speaker, writer, or patron. Contributors include Ellison Banks Findly, Elizabeth Brown Frierson, Salah M. Hassan, Nancy Micklewright, Leslie Peirce, Kishwar Rizvi, D. Fairchild Ruggles, Yasser Tabbaa, Lucienne Thys-Senoçak, and Ethel Sara Wolper.

Artistic (Self)-Representations of Islam and Muslims

Artistic (Self)-Representations of Islam and Muslims
Title Artistic (Self)-Representations of Islam and Muslims PDF eBook
Author Ramona Mielusel
Publisher
Pages 0
Release 2021
Genre
ISBN 9783030812355

Download Artistic (Self)-Representations of Islam and Muslims Book in PDF, Epub and Kindle

Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines. Ramona Mielusel is Associate Professor of French and Francophone Studies at the University of Louisiana at Lafayette. She is interested in interdisciplinary and comparative approaches to Contemporary French and Francophone Cultural Studies with a special focus on immigration, transnationalism, multiculturalism, postcolonial studies and identity politics. She is the author of Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Farid Boudjellal et Tony Gatlif (L'Harmattan, 2015) and Franco-Maghrebi Artists of the 2000s. Transnational Narratives and Identities (Brill Publishers, 2018) as well as of several articles and book chapters. She co-edited with Dr. Simona Emilia Pruteanu the volume Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration (Palgrave Macmillan, 2020).

Political and Cultural Representations of Muslims

Political and Cultural Representations of Muslims
Title Political and Cultural Representations of Muslims PDF eBook
Author Christopher Flood
Publisher BRILL
Pages 222
Release 2012-07-19
Genre Social Science
ISBN 9004231021

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At a time of tension between some Muslim and non-Muslim countries, accompanied by frictions between Muslim and non-Muslim majorities or minorities within states, this collection centres on the often distorted perceptions underlying public debates over collective identities and cultures.

What is “Islamic” Art?

What is “Islamic” Art?
Title What is “Islamic” Art? PDF eBook
Author Wendy M. K. Shaw
Publisher Cambridge University Press
Pages 387
Release 2019-10-10
Genre Art
ISBN 1108474659

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An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

Aisha’s Cushion

Aisha’s Cushion
Title Aisha’s Cushion PDF eBook
Author Jamal J. Elias
Publisher Harvard University Press
Pages 395
Release 2012-11-15
Genre Religion
ISBN 0674070666

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Media coverage of the Danish cartoon crisis and the destruction of the Buddhas of Bamiyan left Westerners with a strong impression that Islam does not countenance depiction of religious imagery. Jamal J. Elias corrects this view by revealing the complexity of Islamic attitudes toward representational religious art. Aisha’s Cushion emphasizes Islam’s perceptual and intellectual modes and in so doing offers the reader both insight into Islamic visual culture and a unique way of seeing the world. Aisha’s Cushion evaluates the controversies surrounding blasphemy and iconoclasm by exploring Islamic societies at the time of Muhammad and the birth of Islam; during early contact between Arab Muslims and Byzantine Christians; in medieval Anatolia and India; and in modern times. Elias’s inquiry then goes further, to situate Islamic religious art in a global context. His comparisons with Christian, Jewish, Buddhist, and Hindu attitudes toward religious art show them to be as contradictory as those of Islam. Contemporary theories about art’s place in society inform Elias’s investigation of how religious objects have been understood across time and in different cultures. Elias contends that Islamic perspectives on representation and perception should be sought not only in theological writings or aesthetic treatises but in a range of Islamic works in areas as diverse as optics, alchemy, dreaming, calligraphy, literature, vehicle and home decoration, and Sufi metaphysics. Unearthing shades of meaning in Islamic thought throughout history, Elias offers fresh insight into the relations among religion, art, and perception across a broad range of cultures.

Making of the Artist in Late Timurid Painting

Making of the Artist in Late Timurid Painting
Title Making of the Artist in Late Timurid Painting PDF eBook
Author Balafrej Lamia Balafrej
Publisher Edinburgh University Press
Pages 304
Release 2019-04-01
Genre Art
ISBN 147443746X

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In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.