This Bulletin presents new discoveries and historical documentation on the preeminent New York cabinetmaker George A. Schastey, illuminating his life and his under-appreciated body of work while providing the first in-depth analysis of the Worsham-Rockefeller house and its patron Arabella Worsham.

The Herter brothers' extraordinary accomplishment has never before been the subject of a book. Here, at last, is an in-depth study of these talented men, their company, and its work, prized then as now for its design, richness of materials and detail, superb craftsmanship, and splendid diversity.

Published by London's D. Giles Limited, the lavishly illustrated volume examines Walter Gay's life and work and features all 69 paintings in the exhibition. Main author Isabel L. Taube writes on Walter Gay's Poetic Rooms, and also wrote the catalogue portion of the exhibition, which organizes Walter Gay's work by residence;including sections on each of the Gay's own residences, as well as other homes Walter Gay was commissioned to paint in Europe and America. Other contributors are Priscilla Vail Caldwell, who writes on the enduring appeal of Walter Gay; arts expert Nina Gray, who focuses on interior decoration and the Rococo revival in America: and Frick Director of Curatorial Affairs Sarah Hall, who wrote essays about the three paintings in our collection.

"This is the first scholarly book on de Forest. It explores his career in the decorative arts by examining cultural context, material culture, biography, and patronage. Lockwood de Forest (1850-1932) is best known as an artistic decorator with a flair for designs based on the arts and crafts of the Middle East and India. He began his career in partnership with Louis Comfort Tiffany. By 1883, de Forest had his own business and successfully introduced the East Indian craft revival to the United States. His interior designs and furnishings were embraced by some of the wealthiest families of the Gilded Age. His family home at 7 East Tenth Street in New York City served as a designer showcase and was compared to Arab Hall, a pinnacle of exotic design that was part of Frederic, Lord Leighton's home and studio in Holland Park, London. Complemented by sixty color plates and 132 black-and-white illustrations." --Publisher description.

The Fascinating History of the First Significant Collection of Gothic Art in the United States.

The Gilded Years of the late nineteenth century were a vital and glamorous era in New York City as families of great fortune sought to demonstrate their new position by building vast Fifth Avenue mansions filled with precious objects and important painting collections and hosting elaborate fetes and balls. This is the moment of Mrs. Astor’s “Four Hundred,” the rise of the Vanderbilts and Morgans, Maison Worth, Tiffany & Co., Duveen, and Allard. Concurrently these families became New York’s first cultural philanthropists, supporting the fledgling Metropolitan Museum of Art and the Metropolitan Opera, among many institutions founded during this period. A collaboration with the Museum of the City of New York, Gilded New York examines the social and cultural history of these years, focusing on interior design and decorative arts, fashion and jewelry, and the publications that were the progenitors of today’s shelter magazines.