This book is a collection of glimpses into the lives and works of fifteen prominent women artists in contemporary ceramics. Spanning multiple genres, generations, and geographies, these potters and ceramic sculptors describe nuances, contradictions, and tensions surrounding their artworks, artistic processes, and professional lives. Within this text, artistic ambivalences are questioned and analyzed in terms of myriad gender issues. Featured ceramicists include: Maureen Burns-Bowie, Esta Carnahan, Ellen Day, Cara Gay Driscoll, Dolores Dunning, Heidi Fahrenbacher, DeBorah Goletz, Lynn Goodman, Joan Hardin, Beth Heit, Tsehai Johnson, Kate Malone, Norma Messing, Elspeth Owen, and Mary Trainor. The qualitative research summarized within this book draws influence from feminist methodologies and the visual arts methodology of portraiture. Artists, art historians, and art educators interested in ceramics and gender will find detailed discussion of unexpected persistence of gendered associations within ceramic technology, social binaries of gender identity in symbols and traditions of clay, and subtle sexism surrounding ceramics in education. At the same time, this text celebrates women’s work in ceramics as an often neglected set of perspectives, highlighting the intricate complexities of artistic ambivalences and lived experiences of art within a dynamic dialogue.

Clay Work and Body Image in Art Therapy provides an important addition to resources available in the field of clay work and art therapy, highlighting the unique sensory aspects of the medium and its ability to provide a therapeutic resource for women who experience body image issues. Chapters offer a comprehensive distillation of current knowledge in the field of body image, clay work, neuroscience, and art therapy, building a theoretical framework around personal narratives. Case studies examine the benefits of exploring body image through clay work within art therapy practice, providing a positive and contained way to find personal acceptance and featuring photographs of clay body image sculptures created by research participants that highlight their individual stories and experiences. As well as offering both clinical and practical implications, the text provides a full protocol for the research and evaluation methods carried out, enabling further replication of the intervention and research methods by other therapists. This book highlights clay work as a significant resource for art therapists, arts in health practitioners, and counsellors, providing an emotive yet contained approach to the development of personal body image acceptance and self-compassion.

Foreword by Claudia Gould. Text by Ingrid Schaffner, Jenelle Porter, Glenn Adamson.

Clay art therapy inspires awakening. Earth-infused and experiential methods are relational, self-reflective, and transformational. Clay therapy provides documented outcomes in healing, anxiety and stress reduction, trauma and recovery, as well as in reframing beliefs and identity. The approach builds skills in daily living and relationships. Seeking a holistic perspective to inform clay therapy, this project follows decades of research into the healing of trauma in minority cultures revealing the hidden power of spirituality as meaning making. A person-centred method reframes minority identity within a postmodern psychotherapy. Experiential methods in therapeutic art-as-life and life-as-art embraces scientific evolutionary theories of development, cooperation, ascent, and convergence. Clay-based psychotherapy is informed by culturally infused methods reflecting on western, minority, and disability experiences. We explore our therapy studio productions as well as the works of contemporary sculptor Andrea Martini, and the 15th century works in terracotta by Andrea della Robbia. Our approach provides for opportunities to reflect on the nature of clay art therapy in healing, capacity and skill building, identity formation, and in facilitating transcendent outcomes.

Looking at satire and subversion within ceramics.