Bilingual Spanish-English catalog of an exhibition of Puerto Rican contemporary paintings.

An art book, a memoir and a critical appraisal, of its subject, artist Torres Martino (b. Puerto Rico). Includes selected bibliographies of works by and about the author and indexes of names and illustrations. "Ponce native humanist, Jos Antonio Torres Martino is a personage of many hats, a wizard that has handled many herbs with intelligence, talent and social commitment. He is presented to us as a contemporary renaissance man: painter, serigraphist, engraver, columnist, union leader, talk-radio host, television anchorman, professor of the university, journalist and art intellectual"- Mario E. Roche Morales.

El Amante Puertorriqueño es una compilación de bellos poemas de amor en español y en inglés que el autor Jerry Sánchez ha querido plasmar en un libro para dedicárselo especialmente a su padre Don Gerardo Sánchez Acosta. El autor expresa estas alentadoras palabras al principio de su obra: En esta vida Dios nos dio por lo menos un talento y puede ser que tomes toda tu vida para encontrar el tuyo, nunca dejes de intentar de averiguar cual es el tuyo. Espero que este sea el mío, le quiero agradecer al Señor por haberme dado por lo menos un talento y la oportunidad de compartirlo con ustedes. Dios nos cuide.

A curated selection of key texts and artists' voices exploring US Latinx art and art history from the 1960s to the present. A Handbook of Latinx Art is the first anthology to explore the rich, deep, and often overlooked contributions that Latinx artists have made to art in the United States. Drawn from wide-ranging sources, this volume includes texts by artists, critics, and scholars from the 1960s to the present that reflect the diversity of the Latinx experience across the nation, from the West Coast and the Mexican border to New York, Miami, and the Midwest. The anthology features essential writings by Mexican American, Puerto Rican, Cuban American, Dominican American, and Central American artists to highlight how visionaries of diverse immigrant groups negotiate issues of participation and belonging, material, style, and community in their own voices. These intersectional essays cut across region, gender, race, and class to lay out a complex emerging field that reckons with different histories, geographies, and political engagements and, ultimately, underscores the importance of Latinx artists to the history of American art.

In Imaging The Great Puerto Rican Family: Framing Nation, Race and Gender during the American Century, Hilda Lloréns offers a ground-breaking study of images—photographs, postcards, paintings, posters, and films—about Puerto Rico and Puerto Ricans made by American and Puerto Rican image-makers between 1890 and 1990. Through illuminating discussions of artists, images, and social events, the book offers a critical analysis of the power-laden cultural and historic junctures imbricated in the creation of re-presentations of Puerto Rico and Puerto Ricans by Americans (“outsiders”) and Puerto Ricans (“insiders”) during an historical epoch marked by the twin concepts of “modernization” and “progress.” The study excavates the ways in which colonial power and resistance to it have shaped representations of Puerto Rico and its people. Hilda Lloréns demonstrates how nation, race, and gender figure in representation, and how these representations in turn help shape the discourses of nation, race, and gender. Imaging The Great Puerto Rican Family masterfully illustrates that as significant actors in the shaping of national conceptions of history image-makers have created iconic symbols deeply enmeshed in an “emotional aesthetics of nation.” The book proposes that images as important conveyers of knowledge and information are a fertile data site. At the same time, Lloréns underscores how colonial modernity turned global, the conceptual framework informing the analysis, not only calls attention to the national and global networks in which image-makers have been a part of, and by which they have been influenced, but highlights the manners by which technologies of imaging and “seeing” have been prime movers as well as critics of modernity.

La historia y las colecciones de pintura puertorriqueña.