This compelling book chronicles 75 of the most influential artists from the dawn of the 20th century to the present, and from around the world. Each entry provides a fascinating insight into the artist and his or her vision of what they were trying to do, while also acknowledging the lasting effect or impression of their work. Arranged in a broadly chronological order, the book gives a sense of the impact each artist has had on the development of art practice over the last 100 years. Key dates in each artists career are clearly drawn out in the accompanying timeline. Through a combination of lively text and arresting visuals, this is an inspirational and wholly original guide to some of the artists whose vision has helped to shape the modern art world.

Profiles and portraits of 50 artists and art entrepreneurs challenging the status quo in the art world Confidently curated by Jasmin Hernandez, the dynamic founder of Gallery Gurls, We Are Here presents the bold and nuanced work of Black and Brown visionaries transforming the art world. Centering BIPOC, with a particular focus on queer, trans, nonbinary, and BIWOC, this collection features fifty of the most influential voices in New York, Los Angeles, and beyond. Striking photography of art, creative spaces, materials, and the subjects themselves is paired with intimate interviews that engage with each artist and influencer, delving into their creative process and unpacking how each subject actively works to create a more radically inclusive world across the entire art ecosystem. A celebration of compelling intergenerational creatives making their mark, We Are Here shows a path for all who seek to see themselves in art and culture. #weareherebook

Like the collection itself, the artists presented here are richly varied, from early- and mid-twentieth-century masters such as Alexander Calder, Edward Hopper, and Georgia O'Keeffe to postwar icons such as Jasper Johns, Roy Lichtenstein, and Andy Warhol to contemporary artists such as Mike Kelley, Jeff Koons, and Cindy Sherman."--BOOK JACKET.

"Before the rise of underground comics in the late 1960s, there was no place for eccentric talent in the comics industry. Rather than creating super heroes like Superman and Spider-Man, comic strips like Peanuts and Krazy Kat, or graphic novels like Jimmy Corrigan: The Smartest Kid on Earth and Ghost World, the artists represented in Art Out of Time created their own "ingenious" versions of the super hero, western, romance, humor, and horror genres that dominated the comics of their day." "Their visions found a home, but were mostly obscured by the more accessible mainstream work of others. These artists have a distinct, fully formed visual sensibility, and their comics stray from the usual thematic and visual ideas of what we now consider the medium to be. All of them were under-recognized in their lifetimes, and all of them remain outside the usual narratives of comic book history." "Art Out of Time reprints complete comic book and comic strip stories, most of which are being reprinted here for the first time since their initial publication. In five thematic sections, this anthology is a "counter history" of comics, containing nearly thirty often-unknown visionary American cartoonists from 1900 to 1969. These artists foreshadowed and influenced the innovations within the comics medium of today. Together for the first time, these oddballs and obsessives truly constitute an underground that wasn't."--BOOK JACKET.

Outsider art has exploded onto the international art scene, gaining widespread attention for its startling originality and visual power. As an expression of raw creativity, outsider art remains associated with self-taught visionaries, psychiatric patients, trance mediums, eccentric outcasts, and unschooled artistic geniuses who create things outside of mainstream artistic trends and styles. Outsider Art: Visionary Worlds and Trauma provides a comprehensive guide through the contested terrain of outsider art and the related domains of art brut, visionary art, “art of the insane,” and folk art. The book examines the history and primary issues of the field as well as explores the intersection between culture and individual creativity that is at the very heart of outsider art definitions and debates. Daniel Wojcik's interdisciplinary study challenges prevailing assumptions about the idiosyncratic status of outsider artists. This wide-ranging investigation of the art and lives of those labeled outsiders focuses on the ways that personal tragedies and suffering have inspired the art-making process. In some cases, trauma has triggered a creative transformation that has helped artists confront otherwise overwhelming life events. Additionally, Wojcik's study illustrates how vernacular traditions, religious worldviews, ethnic heritage, and popular culture have influenced such art. With its detailed consideration of personal motivations, cultural milieu, and the potentially therapeutic aspects of art making, this volume provides a deeper understanding of the artistic impulse and human creativity.

Outsider Art is a name for the often mesmerizing creations of those who live and work at a distance from prevailing notions about mainstream artistic trends, individuals who are frequently unaware of themselves as artists or their works as art. This book presents and discusses some of the 20th century's most significant examples of Outsider Art. artists from around the world, including Gedewon, a cleric from Ethiopia who made unique and psychedelic talismans; William Hawkins, an African-American self-taught artist with a unique pop sensibility; the Mexican artist Martin Ramirez, creator of large-scale works that tell tales of mestizo life; Nek Chand Saini, whose Rock Garden in India is a leading visionary site; Hung Tung, whose colourful scrolls reflect both traditional Taiwanese culture and fantastic imagination; former Navajo medicine man Charlie Willeto, carver of raw, expressionistic figures and animals; Anna Zemankova, Czech maker of dreamy, biomorphic drawings, perhaps done in a trance or mediumistic state; and Italian artist Carlo Zinelli, whose bold graphic compositions display incredible patterns and energy. of international Outsider Art and demonstrates the importance of place and time - as well as internal genius - in these artists' creative processes.

One year in the life of the students, teachers, and artists at one of the nation's oldest and most prestigious art colleges