This sequel to the best-selling Masterpieces Up Close is another fun, interactive book that introduces works of art from museums around the world across different eras and styles, including an ancient Egyptian papyrus, a Byzantine mosaic, Renaissance frescoes, a medieval European tapestry, Arabic and Aztec manuscripts, Japanese woodblock prints, and impressionist, surrealist, and cubist paintings. Full-color reproductions of twenty-three famous works of art provide a colorful hunting ground for over two hundred close-up details. Lift-the-flap keys at the end of the book provide intriguing facts about the works and the artists who created them. Young readers will learn how artistic expression has developed through the centuries and discover how looking at familiar images up close reveals new insights into the world of art.

This is a survey of the work of British painter Gary Hume, one of the leading figures of the YBAs or Young British Artists.

What do you want me to do? This question is the enduring management issue, a perennial problem that Stephen Bungay shows has an old solution that is counter-intuitive and yet common sense. The Art of Action is a thought-provoking and fresh look at how managers can turn planning into execution, and execution into results. Drawing on his experience as a consultant, senior manager and a highly respected military historian, Stephen Bungay takes a close look at the nineteenth-century Prussian Army, which built its agility on the initiative of its highly empowered junior officers, to show business leaders how they can build more effective, productive organizations. Based on a theoretical framework which has been tested in practice over 150 years, Bungay shows how the approach known as 'mission command' has been applied in businesses as diverse as pharmaceuticals and F1 racing today. The Art of Action is scholarly but engaging, rigorous but pragmatic, and shows how common sense can sometimes be surprising.

Maps poised at the intersection of art, architecture, activism, and geography trace a profound shift in our understanding and experience of space. The maps in this book are drawn with satellites, assembled with pixels radioed from outer space, and constructed from statistics; they record situations of intense conflict and express fundamental transformations in our ways of seeing and of experiencing space. These maps are built with Global Positioning Systems (GPS), remote sensing satellites, or Geographic Information Systems (GIS): digital spatial hardware and software designed for such military and governmental uses as reconnaissance, secrecy, monitoring, ballistics, the census, and national security. Rather than shying away from the politics and complexities of their intended uses, in Close Up at a Distance Laura Kurgan attempts to illuminate them. Poised at the intersection of art, architecture, activism, and geography, her analysis uncovers the implicit biases of the new views, the means of recording information they present, and the new spaces they have opened up. Her presentation of these maps reclaims, repurposes, and discovers new and even inadvertent uses for them, including documentary, memorial, preservation, interpretation, political, or simply aesthetic. GPS has been available to both civilians and the military since 1991; the World Wide Web democratized the distribution of data in 1992; Google Earth has captured global bird's-eye views since 2005. Technology has brought about a revolutionary shift in our ability to navigate, inhabit, and define the spatial realm. The traces of interactions, both physical and virtual, charted by the maps in Close Up at a Distance define this shift.

The purpose of this volume is to introduce the reader to the pleasure of looking at master drawings. Through forty-five spectacular works of art, each shown in full and with an enlarged detail, the book simulates the experience of looking at a drawing through a magnifying glass: we can see the techniques and materials used and get close to the artist's creativity. They are roughly ordered by date and were chosen for inclusion because, in addition to yielding beautiful details, they encompass a wide variety of media and techniques. Accompanying short texts highlight particular aspects of each work; italicized technical terms are explained in an accessible and informative glossary at the back. Works by some of the greatest masters of the craft--Leonardo da Vinci, Dürer, Raphael, Rembrandt, Ingres, Goya, Seurat, and Van Gogh--are included. The reader will gain insights into why artists made drawings, how they used the media available to them--including red chalk, watercolor, pen and ink, and pastel--and their techniques, such as hatching, stumping, squaring, and heightening. This beautiful and unpretentious book will have a wide appeal and will be especially invaluable for art students, practicing artists, and those who study art and art history.

Close-Up explores the defamiliarising effects of bringing a camera lens very close to its subject. Trans-historical and cross-generational, the exhibition brings together selected experiments in close-up film and photography from mid-nineteenth century microscopy; avant-garde film and photography from the 1920s and 1930s; post-war conceptual art; and contemporary art from the 1990s and 2000s.