The great ancient Aztec and Mayan city-states dominated Central and Southern America before the arrival of the Spanish Conquistadores in 1519. Today the unique artistry discovered throughout the relics of both these majestic cultures continues to influence and delight many of us. With 100 stunningly drawn illustrations and designs, this beautiful book evokes the stunning motifs and imagery of Mayan and Aztec artwork - and the physical and spiritual worlds from which they drew inspiration. Through colouring in this wonderful collection of steles and temples, motifs taken from traditional costumes, and exotic flora and fauna, you will be transported to another time and place, and discover your own path to creativity and relaxation.

In Aztec Philosophy, James Maffie shows the Aztecs advanced a highly sophisticated and internally coherent systematic philosophy worthy of consideration alongside other philosophies from around the world. Bringing together the fields of comparative world philosophy and Mesoamerican studies, Maffie excavates the distinctly philosophical aspects of Aztec thought. Aztec Philosophy focuses on the ways Aztec metaphysics—the Aztecs’ understanding of the nature, structure and constitution of reality—underpinned Aztec thinking about wisdom, ethics, politics,\ and aesthetics, and served as a backdrop for Aztec religious practices as well as everyday activities such as weaving, farming, and warfare. Aztec metaphysicians conceived reality and cosmos as a grand, ongoing process of weaving—theirs was a world in motion. Drawing upon linguistic, ethnohistorical, archaeological, historical, and contemporary ethnographic evidence, Maffie argues that Aztec metaphysics maintained a processive, transformational, and non-hierarchical view of reality, time, and existence along with a pantheistic theology. Aztec Philosophy will be of great interest to Mesoamericanists, philosophers, religionists, folklorists, and Latin Americanists as well as students of indigenous philosophy, religion, and art of the Americas.

Enter the enchanting world of the garden, where birds, insects and flowers unite to form 100 beautiful illustrations for you to make your own. From Eden to the Hanging Gardens of Babylon, any garden is a symbol of peace and pleasure and this book allows you to create your own wonders of the world. Let your imagination wander between the seasons through the pages of this book and rediscover the simple, yet calming pleasure of observing nature at its finest. These 100 original illustrations offer a natural universe for you to create according to your fancy: hedge mazes, incredible topiary, elegant romantic gardens and friezes of evocative tulips of the Taj Mahal. Unleash your creativity by filling these amazing illustrations with the shades you like the most. Allow your pen to draw your attention away from the stresses and distractions of everyday life and seek relaxation in the soothing and rewarding process of colouring-in. Explore your imagination and steal a moment of calm with the help of this novel art form.

Illuminates the complexities of Aztec life. Readers meet a people highly skilled in sculpture, astronomy, city planning, poetry, and philosophy, who were also profoundly committed to cosmic regeneration through the thrust of the ceremonial knife and through warfare.

Random House 1977Zen History,Haiku, Ceramics, Archery, Landscape Garden, Stone Garden, Ink Landscape Scroll, Zen Architecture, Sword, Katana, No Theater, Noh Theater, Japanese Tea Ceremony, Flower arranging, Ikebana, Zen Ceramic Art, Raku, Shino, Ryoanji-ji 'Highly recommended'The Center for Asian Studies'A connoisseur'NYC-FM'Hoover provides an excellent introduction

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

Published on the occasion of an exhibition held at the Los Angeles County Museum of Art, Apr. 1-July 1, 2012 and at the Dallas Museum of Art, July 29-Nov. 25, 2012.