Omdrejningspunktet er den kunstneriske strategi ?détournement?, som betyder forvrængning eller fordrejning. Asger Jorn kaldte sine détournementer for ?modifikationer?. Han så det som en måde, hvor han kunne modernisere malerier af andre kunstnere, ved at overmale billederne. På den måde fik det gamle ny relevans. I détournement anvendes som regel ikoniske symboler sammen med satire, parodi og humor til at kritisere f.eks. kunstmarkedet, men ofte forholder det sig også til aktuelle politiske og etiske problematikker. 00Exhibition: Museum Jorn, Silkeborg, Denmark (15.09. - 08.12.2019).

As one of the people who defined punk’s protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher’s work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all ‘isms’, her work offers a unique take on the history of feminist art.

The day-by-day guide to Banksy's month-long residency in New York in October, 2013 by writer and photographer Ray Mock.

"Frankie Neumann's an introvert, and he's always been the outsider in his family of performers, but all that's about to change once he finds an outlet for his artistic talents"--

To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.

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Packed with travel information, including more listings, deals, and insider tips: CANDID LISTINGS of hundreds of places to eat, sleep, drink, and feel like a local RELIABLE MAPS to navigate Western Europe's busy cities or idyllic towns INSIDER TIPS on the best hostels, gay and straight nightlife, and travel deals VOLUNEER AND WORK OPPORTUNITIES, from Svalbard to Malta HIKING, BIKING, and CAMPING, from the Norwegian fjords to the beaches in Greece The world's most exciting FESTIVALS, including Hungary's Sziget and Italy's Spoleto A PHRASEBOOK with essential vocab in nine different languages