"A comprehensive look at how the arts (broadly conceived) can improve teaching, learning, and curriculum for all students, written in accessible language for non-academics and non-experts. It contains many evocative examples to illustrate the power of the arts to change education"--

A candid guidebook about art-making in the midst of oppression—"a slim, necessary revelation" (Maggie Nelson, The Argonauts). Visiting the Andy Warhol Museum as a teenager, Beth Pickens realized that art was imperative for reflecting—and thus remaking—the world. As an adult, she has dedicated her life to arts nonprofits and consulting, helping marginalized artists traverse the world of MFAs, residences, and institutional funding. Writing in the aftermath of the 2016 election, Pickens reminds emerging artists that their art is more important than ever. She gives advice on fostering creativity and sustaining an innovative practice as conversations about grants, public programming, and arts funding in schools grow ever-more heated. Part political manifesto, part practical manual, this resource reminds us that art has always been a tool of resistance.

Discover it for yourself. Inside Art Saves, experience the stories of 20 artists who found that artistic expression and the artistic process is worth living for. Whether you are a calligraphy/graffiti artist like Lisa Engelbrecht, a metal artist like Michael DeMeng, or digital collage artist like Susan Tuttle, art has a way of giving you beauty, meaning, spiritual richness, community... even salvation. The stories in this book come from every medium, because the power of the creative process can be found everywhere. Hear from: • Drew Emborsky, a crochet artist, provides comfort through his creations by donating his work to hospitals and shelters. • Rebecca Sower puts craft materials—and hope—into the hands of Haitian women through Haiti By Hand. • Marie French who, through art, creates personal miracles of healing. • Suzi Blu, who discovered the real, therapeutic effect of art-making, shows you many simple, effective ways you can give back. INSIDE ART SAVES, YOU'LL ALSO FIND: • Mixed media techniques and projects. Throughout the book you'll find practical ideas to put you on the art-making path. Karen Michel shares instructions on creating prayer flags, Lynn Whipple shows you how to construct a permission plaque, Susannah Conway gives advice on revealing the soul of a place though inspired photography. • Inspired Lessons. Each artist lists the lessons they have learned about living life artfully. • "When the Going Gets Tough..." Sidebars suggest ways you can remain strong, even when things get challenging. Hear how different artists deal with difficulty head-on. • "In the artist's own words..." Advice and wisdom shared directly from each artist to you. The act of art-making is an act of life. So thread a needle, lift a paintbrush, put pencil to paper, focus the camera—find salvation.

The state of emergency, according to thinkers such as Carl Schmidt, Walter Benjamin, and Giorgio Agamben, is at the heart of any theory of politics. But today the problem is not the crises that we do confront, which are often used by governments to legitimize themselves, but the ones that political realism stops us from recognizing as emergencies, from widespread surveillance to climate change to the systemic shocks of neoliberalism. We need a way of disrupting the existing order that can energize radical democratic action rather than reinforcing the status quo. In this provocative book, Santiago Zabala declares that in an age where the greatest emergency is the absence of emergency, only contemporary art’s capacity to alter reality can save us. Why Only Art Can Save Us advances a new aesthetics centered on the nature of the emergency that characterizes the twenty-first century. Zabala draws on Martin Heidegger’s distinction between works of art that rescue us from emergency and those that are rescuers into emergency. The former are a means of cultural politics, conservers of the status quo that conceal emergencies; the latter are disruptive events that thrust us into emergencies. Building on Arthur Danto, Jacques Rancière, and Gianni Vattimo, who made aesthetics more responsive to contemporary art, Zabala argues that works of art are not simply a means of elevating consumerism or contemplating beauty but are points of departure to change the world. Radical artists create works that disclose and demand active intervention in ongoing crises. Interpreting works of art that aim to propel us into absent emergencies, Zabala shows how art’s ability to create new realities is fundamental to the politics of radical democracy in the state of emergency that is the present.

A dissertation for the MFA program at MECA, 2013. Examines the author's evolving understanding and use of Gothic themes in her work.

An oversized full-color art book showcasing the insane imagination of Rick and Morty co-creator Justin Roiland! Save the universe! Save your dogs! Take your chair to the streets and follow Trover throughout the cosmos as you battle your way through hordes of clones on your quest to stop Glorkon! This freaky and awesome hardcover art book is the perfect companion to Squanch Games's first full length game! Feast your eye holes on 192 pages of crazy concept art and intimate commentary! Dark Horse Books and Squanch Games invite you to embrace weirdness by picking up the greatest art book in the galaxy! Or don't. It's whatever. I'm not your dad.

Yes Naturally' is a large-scale, inspirational extended exhibition in and around the Gemeentemuseum in The Hague, in which artists invite us to let go of preconceived ideas about nature, culture and technology. The richly illustrated publication presents works by more than 80 artists, including Francis Al, Jimmie Durham, Olafur Eliasson, Damien Hirst, Zeger Reyers, Superflex and Ai Wei Wei. This book is about relationships - existing relationships as well as new forms of cooperation - and sets inclusion and reciprocity as necessary conditions for a better world. In the process Yes Naturally gives not just a signal but also a model to follow. Artists make us look differently at ourselves, our society and our relationship with the Earth. When the central position of human beings is put in perspective, non-human players enter the picture, like animals, plants and bacteria. Nature and culture reinforce each other.