Blaspheming artists get all the press. Some exploit the shock potential of religious imagery - but many also reflect deeply on spiritual matters and are, in fact, some of the most profound and sensitive commentators on religion today. Here, Aaron Rosen shows how religious themes and images permeate the work of contemporary artists from across the globe. Contrary to the expectations of twentieth-century rationalists, religion has not faded away in the 21st century, but roared back onto the scene with renewed vitality. This survey shows how religious themes and images continue to permeate the work of contemporary artists from across the globe. Some exploit the shock potential of religious imagery, but many also reflect deeply on spiritual matters. The introduction outlines the debates and controversies that the art-religion connection has precipitated throughout history. Each of the book's chapters opens by introducing a theme - ideas about creation, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, environmental art and sacred space - followed by a selection of works of art that develop that theme. The book encompasses a wide range of media and genres, from sculpture to street art, and considers faith in its broadest sense - from Islam and Christianity to Aboriginal mythology and meditation. Artists discussed include Ai Weiwei, Francis Alÿs, Vanessa Beecroft, Maurizio Cattelan, Cristo and Jeanne-Claude, Olafur Eliasson, Tracey Emin, Antony Gormley, Mona Hatoum, David LaChapelle, Richard Long, Annette Messager, Mariko Mori, Grayson Perry, Richard Serra, Hiroshi Sugimoto, Bill Viola, Mark Wallinger and more.

This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.

This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations.

Why is religion still around in the twenty-first century? Why do so many still believe? And how do various traditions still shape the way people experience everything from sexuality to politics, whether they are religious or not? In Why Religion? Elaine Pagels looks to her own life to help address these questions. These questions took on a new urgency for Pagels when dealing with unimaginable loss—the death of her young son, followed a year later by the shocking loss of her husband. Here she interweaves a personal story with the work that she loves, illuminating how, for better and worse, religious traditions have shaped how we understand ourselves; how we relate to one another; and, most importantly, how to get through the most difficult challenges we face. Drawing upon the perspectives of neurologists, anthropologists, and historians, as well as her own research, Pagels opens unexpected ways of understanding persistent religious aspects of our culture. A provocative and deeply moving account from one of the most compelling religious thinkers at work today, Why Religion? explores the spiritual dimension of human experience.

In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.

A fresh approach to the connection between art and religion that seeks to redefine their relationship in the contemporary age The relationship between art and religion has been long, complex, and often conflicted, and it has given rise to many of the greatest works in the history of art. Artists today continue to reflect seriously upon religious traditions, themes, and institutions, suggesting a new approach to spirituality that is more considered than confrontational. Art & Religion in the 21st Century is the first in-depth study to survey an international roster of artists who use their work to explore religion’s cultural, social, political, and psychological impact on today’s world. An introduction outlines the debates and controversies that the art/religion connection has precipitated throughout history. Each of the book’s ten chapters introduces a theme—ideas of the Creation, the figure of Jesus, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, and spiritual “dwelling” in the body and in space—followed by a selection of works of art that illustrates that theme. Artists discussed include Vanessa Beecroft, Maurizio Cattelan, Makoto Fujimura, David LaChapelle, Annette Messager, Jason Rhoades, Andres Serrano, and Zeng Fanzhi.