Art, Pottery, and the Clay-Human Connection Understanding the Prophet Whom God Has Set in the Church! Dr. Alvin Haywood, Ed.D. Calling all faithful and committed men and women of God whose number one priority is to walk unapologetically in their God-given calling and purpose for their life. This book is for any dedicated servant of God but is especially geared toward those who are single and walking in a prophetic calling. Married folks, and others walking in any calling from God, can also benefit from this book--those who want to further review the clay-human connection and understand more about the trials and triumphs of a prophet of God. Like clay in a potter's hand, God's people are molded and shaped in his hands. Nestled in a beautiful narrative setting of art, history, and pottery, Art, Pottery, and the Clay-Human Connection: Understanding the Prophet Whom God Has Set in the Church is based on and embedded in relevant and applicable scriptures as it validates and encourages any servant of God to concentrate on what the Word of God is saying about them in their walk with God. Jeremiah the prophet is used as a focal point as he was singularly called by God to go down to the potter's house to receive a prophetic message about this clay-human connection for the church or the people of God.

'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

This volume emphasizes the complex interactions between ceramic containers and people in past and present contexts. Pottery, once it appears in the archaeological record, is one of the most routinely recovered artifacts. It is made frequently, broken often, and comes in endless varieties according to economic and social requirements. Moreover, even in shreds ceramics can last almost forever, providing important clues about past human behavior. The contributors to this volume, all leaders in ceramic research, probe the relationship between humans and ceramics. Here they offer new discoveries obtained through traditional lines of inquiry, demonstrate methodological breakthroughs, and expose innovative new areas for research. Among the topics covered in this volume are the age at which children begin learning pottery making; the origins of pottery in the Southwest U.S., Mesoamerica, and Greece; vessel production and standardization; vessel size and food consumption patterns; the relationship between pottery style and meaning; and the role pottery and other material culture plays in communication. Pottery and People provides a cross-section of the state of the art, emphasizing the complete interactions between ceramic containers and people in past and present contexts. This is a milestone volume useful to anyone interested in the connections between pots and people.

"Galleries and shops across the United States are filled with American Indian art. Especially popular is the striking pottery handmade by the Pueblo Indians of the Southwest. Talking with the Clay tells the story of this pottery from the uniquely personal view of the potters themselves. Stephen Trimble interviewed sixty artisans in the pottery-making Pueblo villages, from Taos, New Mexico, to the Hopi reservation in Arizona. Their eloquence fills this book. They speak of 'picking clay' as they would pick flowers, and of the enormous amount of work (fully half their time) necessary to prepare the clay for building their pots. Coil by coil they create jars, bowls, and figurines, and then sand, polish, and paint them. Firing is done outside in a dung-fueled 'kiln' built from scratch for each firing. Trimble shows how Pueblo pottery embodies all the beliefs and values that are central to Pueblo culture. Yet what defines a Pueblo pot is not strictly a matter of tradition, for, as Grace Medicine Flower says of her Santa Clara miniatures, 'Now they call this contemporary; years from now they may call it traditional.' Instead, a Pueblo pot is defined more than anything by the way it feels, and this book captures that feeling in both words and photographs. Talking with the Clay is a joyous, fascinating, and moving book filled with information and insight." -- Back cover

In this book, Patricia Fay tells the history of the Anglophone Caribbean by documenting the material culture in the form of locally made earthenware pots--everyday objects that have been central to domestic life dating from precolonial to postcolonial times. Over the course of twenty years and multiple visits to the region, Fay has documented, via text and image, the living heritage of traditional ceramics in the contemporary Caribbean, introducing the reader to the generations of potters, pots, and production techniques. In the process, she charts the history of the region and its people, reminding the reader of the extraordinary historical insights to be gained by examining seemingly quotidian objects.

"A book of advances wheel techniques and inspiration for potters who have basic skills but would like to learn more about throwing large forms, lids, handles, darting, and more"--

More than a third of the houses in the world are made of clay. Clay vessels were instrumental in the invention of cooking, wine and beer making, and international trade. Our toilets are made of clay. The first spark plugs were thrown on the potter’s wheel. Clay has played a vital role in the health and beauty fields. Indeed, this humble material was key to many advances in civilization, including the development of agriculture and the invention of baking, architecture, religion, and even the space program. In Clay, Suzanne Staubach takes a lively look at the startling history of the mud beneath our feet. Told with verve and erudition, this story will ensure you won’t see the world around you in quite the same way after reading the book.