Art and Artists: Poems is a sumptuous collection of visions in verse—the work of centuries of poets who have used their own art form to illuminate art created by others. A wide variety of visual art forms have inspired great poetry, from painting, sculpture, and photography to tapestry, folk art, and calligraphy. Included here are poems that celebrate Leonardo da Vinci’s Mona Lisa, Claude Monet’s Water Lilies, and Grant Wood’s American Gothic. Here are such well-known poems as John Keats’s “Ode on a Grecian Urn” and W. H. Auden’s “Musée des Beaux Arts,” Homer’s immortal account of the forging of the shield of Achilles, and Federico García Lorca’s breathtaking ode to the surreal paintings of Salvador Dalí. Allen Ginsberg writes about Cezanne, Anne Sexton about van Gogh, Billy Collins about Hieronymus Bosch, and Kevin Young about Jean-Michel Basquiat. Here too are poems that take on the artists themselves, from Michelangelo and Rembrandt to Frida Kahlo and Georgia O’Keeffe. Altogether, this brilliantly curated anthology proves that a picture can be worth a thousand words—or a few very well-chosen ones.

"This book presents an introduction to master screenprinter Lou Stovall by his son--part memoir, part history--that shows Lou Stovall's path as an artist while illuminating the golden age of art in DC in the 1960s and 1970s. It then presents a stunning series of prints and poems from his Of the Land series that showcase innovative screenprinting techniques. It finishes with an excerpt from Lou's autobiography, which gives readers a sense of his approach to art and life, which are intertwined. Stovall created The Workshop in 1968 as a small, active silkscreen workshop focused primarily on printing community posters. Under Stovall's leadership, Workshop, Inc. evolved into an internationally-respected printmaking facility and Stovall collaborated with Jacob Lawrence and Sam Gilliam, among others. His works are part of numerous collections, including the National Gallery of Art, Smithsonian Ameican Art Museum, and The Phillips Collection. Publication coincides with a Kreeger Museum exhibit and precedes a forthcoming exhibit at the University of Georgia (TBD)"--

In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.

"Poetry is the sound of language organized in lines." James Longenbach opens The Art of the Poetic Line with that essential statement. Through a range of examples - from Shakespeare and Milton to Ashbery and Glück - Longenbach describes the function of line in metered, rhymed, syllabic, and free-verse poetry. That function is sonic, he argues, and our true experience of it can only be identified in relation to other elements in a poem. Syntax and the interaction of different kinds of line endings are primary to understanding line, as is the relationship of lineated poems to prose poetry. The Art of the Poetic Line is a vital new resource by one of America's most important critics and one of poetry's most engaging practitioners.

Essays, interviews, parodies and cartoons by a distinguished poet and teacher

A merging of poem and image offers poetry from such writers as Borges and Yeats, moving from portrayals of childhood to celebrations of age, juxtaposing these poems with artworks from the National Gallery, including paintings by Picasso and Chagall.

Originally titled Frontières de la Poésie (1935), this book by Jacques Maritain, whose philosophical writings read as interestingly as a novel, will be welcomed by all who are seeking a better understanding of the art of our time. The book delves into Maritain’s thoughts on the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing art and poetry as virtues, and as being primarily concerned with beauty. Rather than focus on aesthetic theory, Maritain examines the concepts at a more tangible level, including a discussion of how they are made. The principles established with such precision and brilliance in his earlier work, Art and Scholasticism, which has had such a deep influence on contemporary artists, are successfully put to the test in illuminating the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Sevirini, and Arthur Lourie.