Presents a survey of 102 twentieth-century American painters. It includes a portrait photograph and candid photographs of each artist, short essays and reproductions of a few works, some in color. Authoritative.

A landmark publication documenting the development of performance by visual artists since the turn of the twenty-first century This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium. Performance Now offers an unprecedented illustrated survey of this temporal medium which is notoriously hard to document, written by respected curator, art historian, and critic RoseLee Goldberg. Six chapters cover different themes of performance art, such as beauty, global citizenship, and activism, as well as its intersection with other media including film and technology, dance, theater and architecture—interspersed with illustrated profiles of some of the world’s best-known performance artists, including Marina Abramovic, Matthew Barney, and Laurie Simmons. Extended captions assess the importance of specific works in context. At once a wonderful introduction to the medium and a must-have sourcebook for fans, Performance Now is the go-to reference for artists, students, and historians as well as lovers of avant-garde theater and film.

The first comprehensive English-language survey of contemporary art from Korea, showcasing 120 artists, museum and gallery directors, curators, and collectors Despite its small geographical size, Korea has perhaps the most sophisticated contemporary art scene in Asia. In recent years, its vibrancy has been lighting up the whole world, with artists such as Do Ho Suh, Kimsooja, Michael Joo, and Koo Jeong-A emerging as major players on the international art scene. This book profiles these and many other acclaimed figures as well as such up-and-coming artists as Lee Yong Baek, Jeon Joohno, and Moon Kyungwon. Interviews with influential curators, like Doryun Chong and Seungduk Kim, as well as the heads of some of the country’s leading arts institutions, round out the text. The country’s art historical origins are explored within the context of modernist preoccupations inside and outside Korea. Incisive and in-depth essays by leading international scholars Sook-Kyung Lee, Youngna Kim, and John Rajchman serve to make the book a vital resource for both those in the know and readers wishing to acquaint themselves with Korea’s contemporary art scene for the first time.

Two hundred masterpieces of Indigenous art from North America, accompanied by essays on the collection and the current issues affecting Indigenous communities. Here, Now: Indigenous Arts of North America at the Denver Art Museum features two hundred of the Denver Art Museum's most notable Indigenous artworks. Aimed at both longtime fans of Indigenous arts and those coming to them for the first time, this expansive book reinterprets the collection and offers new insights into the historic and contemporary work of Indigenous artists. The artworks--covering a range of media, artistic traditions, and time periods--are organized geographically and invite readers to make connections between the artworks and the places they were produced. The book also includes contributions by Indigenous authors reflecting on the collection and the current issues that affect contemporary Indigenous communities. Contributors include John P. Lukavic, Dakota Hoska (Oglála Lakȟóta), and Christopher Patrello; with Kathleen Ash-Milby (Navajo), Susan Billy (Hopland Band of Pomo Indians), Jeffrey Chapman (White Earth Ojibwe), Jordan Poorman Cocker (Kiowa/Tongan), Jasha Lyons Echo-Hawk (Seminole/Pawnee), Nicholas Galanin (Tlingit/ Unangax̂), Joe Horse Capture (A'aniiih), Terrance Jade (Oglála Lakȟóta), Zachary R. Jones, Sascha Scott, Rose Simpson (Santa Clara), Daniel C. Swan, and Norman Vorano. The book opens with a contribution from United States Poet Laureate Joy Harjo.

In the late 1990s Angels in America,Tony Kushner’s epic play about homosexuality and AIDS in the Reagan era, toured the country, inspiring protests in a handful of cities while others received it warmly. Why do people fight over some works of art but not others? Not Here, Not Now, Not That! examines a wide range of controversies over films, books, paintings, sculptures, clothing, music, and television in dozens of cities across the country to find out what turns personal offense into public protest. What Steven J. Tepper discovers is that these protests are always deeply rooted in local concerns. Furthermore, they are essential to the process of working out our differences in a civil society. To explore the local nature of public protests in detail, Tepper analyzes cases in seventy-one cities, including an in-depth look at Atlanta in the late 1990s, finding that debates there over memorials, public artworks, books, and parades served as a way for Atlantans to develop a vision of the future at a time of rapid growth and change. Eschewing simplistic narratives that reduce public protests to political maneuvering, Not Here, Not Now, Not That! at last provides the social context necessary to fully understand this fascinating phenomenon.

This full-scale survey of Corita Kent's work includes prints and ephemera from all phases of her life, revealing her importance as an activist printmaker and a sylistic innovator in graphic design. Artist, activist, teacher, and devout Catholic Corita Kent (1918-1986) eloquently combined her passions for faith and politics during her rich and varied career. As a teacher at LA's Immaculate Heart College, she fostered a creative and collaborative arts community and developed an interest in printmaking. Her posters, murals, and signature serigraphs combined messages of love and faith with images from popular culture and inventive use of type and color. For Kent, printmaking was a populist medium to communicate with the world around her. This activist spirit came most alive in the 1960s, when her posters and murals addressed subjects like racism and poverty, U.S. military brutalities in Vietnam, and conflicts between radical and conservative positions in the Catholic Church. Even after the war, and after she had left the church, she continued to be active in Boston's urban issues, producing prints and commissioned works until her death in 1986. Full of the lively, colorful work that was so iconically hers, this volume presents four decades of a life dedicated to serving others through and with the language of art. This book accompanies a traveling exhibition: Museum of Contemporary Art Cleveland, Cleveland, Ohio June 6 - August 31, 2014 Baker Museum at Artis-Naples, Naples, Florida September 27, 2014 - January 4, 2015 The Andy Warhol Museum, Pittsburgh, Pennsylvania January 31 - April 19, 2015 Pasadena Museum of California Art, Pasadena, California June 14 - November 1, 2015

Naughty Dog Studios and Dark Horse proudly present the essential companion to The Last of Us, a richly detailed and compelling game set in a postpandemic world where humans have become an endangered species. Featuring concept art, character designs, and astonishing settings and landscapes, The Art of The Last of Us provides a unique look at one of the gaming world's most eagerly anticipated titles. * A must-have companion to the game. * Incredible full-color artwork! * The latest project from Naughty Dog Studios. * The Last of Us swept the top Game Critics awards at 2012's E3 conference.