This splendid source of authentic Art Nouveau designs presents more than 90 breathtaking plates, ranging from single to full color, selected from rare originals of a renowned German studio's stock portfolios.

At the height of the Art Nouveau movement and into the early days of Art Deco, Christian Stoll Studios was a leading and prolific source of graphic design. The Leipzig-based firm, which produced beautiful stock books for all forms of design applications, was active chiefly from 1900 to the beginning of World War I and renowned for their staff of creative artists. Three of Stoll's designers are responsible for the majority of the works in this volume: Richard Kühnel, Hugo Sachs, and Josef Pilters. Their illustrations appear here in more than 90 breathtaking plates that range from single- to full-color. Collected from rare originals of the studio's stock portfolios, these designs have been unavailable for over a century. The highly stylized images — consisting chiefly of flowers, grapes, wreaths, and other botanical motifs — are rendered in many different shapes and sizes. Their splendid variety and versatility form an abundant source of reference and inspiration for graphic and textile designers, artists, art students, and anyone seeking striking Art Nouveau ornaments.

577 authentic Art Nouveau designs ranging in size from full-page illustrations to borders, headpieces, tailpieces, and initials. Designs include florals, landscapes, and figures, from artists such as Klimt, Bradley, Auriol, and Larcombe.

Here is an astounding collection of images where the highly stylized Art Deco form is evident in every draping vine, languid curve, bulging muscle, and geometric figure. Crisp photos feature friezes, sculptures, architecture, vases, furniture, plaques, and much more. Reprinted from a rare, early-20th-century edition. 349 black-and-white illustrations.

Over 800 Art-Nouveau florals, swirls, women, animals, borders, scrolls, wreaths, spots and dingbats, copyright-free.

Classic portfolio includes 197 original designs, shown on 48 color plates: arrowhead, blackberry, buttercup, columbine, gourd, honeysuckle, iris, thistle, more; plus animal motifs: seahorses, kingfishers, peacocks, others, as well as some rarely associated with ornamental beauty such as rats and lizards. "An attractive and useful reference source." — Theatre Craft.

A lavish survey of the grotesque style in European painting and decoration, from Roman times to the late nineteenth century. In the fifteenth century, the ruins of Nero's Domus Aurea were discovered in Rome. The first explorers to enter the interior of this spectacular palace complex had the sensation of finding themselves in a series of grottoes, and this is why the fanciful frescoes and floor mosaics discovered there were called "grotesques." A fashionable form of ornamentation in ancient Rome, grotesques consist of loosely connected motifs, often incorporating human figures, birds, animals, and monsters, and arranged around medallions filled with painted scenes. Fifteenth-century artists such as Perugino, Signorelli, Filippino Lippi, and Mantegna copied the ancient Roman examples; the most famous use of the style was Raphael's Loggie in the Vatican Palace, which became immensely famous and influential all over Europe. This magnificently illustrated book covers the entire history of the grotesque in European art, from its Roman origins through the Renaissance to the late nineteenth century. It illuminates how grotesque decoration was transformed in the seventeenth and eighteenth centuries into arabesque, chinoiserie, and singeries, and how it continued in the nineteenth century, leading eventually to Art Nouveau. 250 color illustrations.