Learn to make art like the masters with art masterclass! In each book, undertake 12 lessons including drawing, colouring and sketching activities that are designed to show you how the artist worked. Like Monet, you'll use dabs and strokes to show light, do a painting outside, and use bright colours to show different times of day. Then you can use everything you've learnt to create your masterpiece on the pull-out poster at the back using the sticker sheet.

Monet's revolutionary approach to painting allowed a new understanding of light, composition, and form. By exploring how his paintings were conceived, constructed, and executed, aspiring artists can broaden their technical knowledge and vastly expand their creative horizons. The first in a new series of instructional books, Paint Like Monet takes the reader on a guided journey through the artist's methods, tools, materials, and techniques. Step-by-step exercises and detailed explanations of composition and context are complemented by ideas on developing a personal style and tips on how to check and improve a painting in progress. This hands-on encounter with Impressionist theory is rich with insight and inspiration for anyone interested in art-offering a master class with one of history's greatest artists.

With Impression, Sunrise, exhibited in 1874, Claude Monet (18401926) took part in thecreation of the Impressionist movement that introduced the 19th century to modern art. All his life, he captured natural movements around him and translated them into visual sensations. A complex man and an exceptional artist, Monet is internationally famous for his poetic paintings of waterlilies and beautiful landscapes. He leaves behind the most wellknown masterpieces that still fascinate art lovers all over the world. In this twovolume illustrated work, Natalia Brodskaya and Nina Kalitina invite us on a journey across time to discover the history of Impressionism and Monet; a movement and an artist forever bound together. Specialists of 19th and 20th century art, the authors shed light on the birth of modernity in art, a true revolution responsible for the thriving art scene of the 20th century.

For Claude Monet the designation ‘impressionist’ always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L’Académie Suisse, established by an ex-model on the Quai d’Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre’s studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore’s variable nature. At this time Monet’s landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin’s seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet’s work is in line not only with Manet’s Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, “My studio! I’ve never had a studio, and I can’t see why one would lock oneself up in a room. To draw, yes – to paint, no”. Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, “There’s my real studio.”Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet’s, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.

This lavishly illustrated book presents the first complete overview of the life, art, and times of Claude Monet, one of the quintessential Impressionists. "Mr. Tucker . . . challenges the long-standing formalist interpretation of Monet's work".--"New York Times Book Review". 254 illustrations, 197 in color.

A founder of French Impressionist painting and the most prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, Claude Monet created a large body of works, developing his own method of producing repeated studies of the same motif in a series, whilst changing canvases with the shift in light. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents over 500 paintings of the Impressionist master. For all art lovers, this stunning collection offers a beautiful feast of images by one of the most influential artists of the twentieth century. (Version 2) Features: * over 500 paintings, indexed and arranged in chronological order * special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * beautiful 'detail' images, allowing you to explore Monet's celebrated works * numerous images relating to Monet’s life and works * learn about the history of the Impressionists and the celebrated works that shaped the art movement in the detailed biography THE FRENCH IMPRESSIONISTS by Camille Mauclair * hundreds of images in stunning colour - highly recommended for tablets, iPhone and iPad users, or as a valuable reference tool on eReaders Please visit: www.delphiclassics.com for more information and to browse our range of titles. CONTENTS: The Highlights LUNCHEON ON THE GRASS SELF PORTRAIT WITH A BERET THE TERRACE AT SAINTE-ADRESSE WOMEN IN THE GARDEN BATHERS-AT-LA-GRENOUILLÈRE ON THE BANK OF THE SEINE, BENNECOURT THE MAGPIE POPPIES BLOOMING WOMAN WITH A PARASOL IMPRESSION, SUNRISE GARE SAINT LAZARE, ARRIVAL OF A TRAIN IN THE WOODS AT GIVERNY BLANCHE HOSCHEDÉ HAYSTACKS, (SUNSET) ROUEN CATHEDRAL, FAÇADE (SUNSET) BRIDGE OVER A POND OF WATER LILIES HOUSES OF PARLIAMENT, LONDON WATER LILIES THE GRAND CANAL, VENICE NYMPHEAS THE ROSE-WAY IN GIVERNY The Paintings THE PAINTINGS IN CHRONOLOGICAL ORDER ALPHABETICAL LIST OF PAINTINGS The Biography THE FRENCH IMPRESSIONISTS by Camille Mauclair Please visit: www.delphiclassics.com for more information

Monet's interpretations of light and shifting color revolutionized modern art. Enjoy 187 images of the master's finest Impressionist works — including Jerusalem Artichokes, Lady with Parasol, Water Lilies, and many more — presented here in full color for easy use in an array of creative projects.