In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective’s growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective’s later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.

The second edition of The Art and Craft of International Environmental Law is a sophisticated yet highly readable introduction to how international environmental law works (and sometimes doesn't work). It provides critical updates on developments in the field that have occurred in the 13 years since the first edition was published.

This long out-of-print anthology, edited by Mary Stofflet and Michael Crane and published in 1984, is the authoritative work on correspondence art. This anthology was compiled during the peak of correspondence art activity, with contributions from many of the medium's major players. Contributors: Ken Friedman, Dick Higgins, Ulises Carrion, Judith A. Hoffberg, Marily Ekdahl Ravicz, Jean-Marc Poinsot, Thomas Cassidy, Milan Knizak, Klaus Groh, Kenneth Coutts-Smith, Richard Craven, A.M. Fine, Tomas Schmit, Thomas Albright, Anna Banana, Andrzej Partum, Stephan Kukowski, Robert Reehfeldt, Steve Hitchcock, Edgardo-Antonio Vigo, Geoffrey Cook, Gaglione 1940-2040, C.E. Loeffler, Ken Friedman, Georg M. Gugelberger, James Warren Felter, and Peter Frank.

Of International Stolen Art Databases P.95

Authentic relating is a groundbreaking relational practice that creates profoundly enriching, enlivening, trustable, and vulnerable relationships in all social domains of life. It works at home and in business, among friends and colleagues, and between individuals and in groups by teaching people the practices and principles of skillful relationship and human connection.Authentic relating consists of skills and tools that are potent, versatile, and easy to learn and apply. It combines cutting edge research into the science of relationships with the timeless tenets of ancient wisdom to produce a relational practice that is non-dogmatic, eminently practical, and immediately accessible by a mainstream audience.Ryel Kestano has been at the leading edge of the rapidly expanding movement of authentic relating around the world, and the company he co-founded and still leads - Authentic Relating Training International - is the largest and most well-known of the world's many authentic relating schools and organizations. Ryel has trained thousands of people and dozens of companies in over forty locations on five continents, and is also a co-founder of The Realness Project, an organization dedicated to teaching the skills of authentic relating to inmates.

Vashti believes that she cannot draw, but her art teacher's encouragement leads her to change her mind and she goes on to encourage another student who feels the same as she had.