Excerpt from Art in Dress: With Notes on Home Decoration To secure the best results in the use of these notes a copy should be in the hands of each student. The pamphlet is, in fact, a textbook on art as applied to dress and home decoration. The fundamental purpose in the study of art principles in connection with dress and home decoration is to create a desire in the minds of the students for beauty in those things which surround them in every-day life. To obtain this harmony and beauty in the ordinary things of life, one must understand the basic principles of good color and line. Few realize that every time we combine two 'colors or two lines we create a design whether we desire to do so or not, and the result is good or bad according to the knowledge or instinct that is guiding the hand of the worker. A girl's selection of a hat or a gown evidences her feeling, or lack of feeling, in design. It is therefore greatly to be desired that she should have a guiding principle, rather than to follow in blind obedience the erratic fashions of the day. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from Dress as a Fine Art: With Suggestions on Children's Dress M3 It has been termed the heart - shaped head-dress, from the appearance it presents when viewed in front, which resembles that of a heart, and sometimes a crescent. It is made of black silk or velvet, orna mented with gold studs, and having a jewel over the forehead. It has a long band or lappet, such as the gentlemen then were affixed to their hats. Figs. 7 and 8 represent head-dresses worn in the time of Henry VIII. These are a sort of cap, which seem to combine coverchief and hood. Fig. 7 was at this time the extreme of fashion. It is edged with lace, and ornamented with jewelry, and has altogether a look of utter unmeaningness and confusion of form. Fig. 8 has a hood easier of comprehension, but no whit better in point of elegance than her predeces sors; it fits the head closely, having pendent jewels round the bottom and crossing the brow. Figs. 9 and 11 are hats of a very simple style, such as were worn during the reign of George II., when an affected simplicity, or milk-maiden look, was coveted by the ladies, both high and low. The hood worn by Fig. 10 was a complete envelope for the head, and was4 description or the head-dresses. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.