The result of an artistic pilgrimage to the home and studio of the Italian painter Giorgio Morandi, this new artist book by Gary Green is more than a mere tribute. Titled After Morandi, the book presents a real encounter, a dialogue, from which sprang this grouping of photographs that interpret rather than describe Morandi artistic legacy. In notes at the end of the book, Green tells us the project was intended as a conversation with the work of Morandi and, that while some of the photographs present a direct response to that, Green hopes that most of them connect more tangentially through materials, objects, and geography. This work by Gary Green, American photographer and educator, is not didactic but capable instead of inspiring memory and capturing beauty.

2017 Department of Art Faculty & Alumni Exhibition catalog published by the Miami University Art Museum, Miami University, Oxford, OH.

Game Studies is a rapidly growing area of contemporary scholarship, yet volumes in the area have tended to focus on more general issues. With Playing with the Past, game studies is taken to the next level by offering a specific and detailed analysis of one area of digital game play -- the representation of history. The collection focuses on the ways in which gamers engage with, play with, recreate, subvert, reverse and direct the historical past, and what effect this has on the ways in which we go about constructing the present or imagining a future. What can World War Two strategy games teach us about the reality of this complex and multifaceted period? Do the possibilities of playing with the past change the way we understand history? If we embody a colonialist's perspective to conquer 'primitive' tribes in Colonization, does this privilege a distinct way of viewing history as benevolent intervention over imperialist expansion? The fusion of these two fields allows the editors to pose new questions about the ways in which gamers interact with their game worlds. Drawing these threads together, the collection concludes by asking whether digital games - which represent history or historical change - alter the way we, today, understand history itself.

The Adventures of Puddin and The Fruit Bat is a series of children’s books featuring Puddin, a large lonely dog; Rotten, a mischievous cat; and Stella Fruit Bat, a quirky puppy with special powers. Puddin, Stella Fruit Bat, and Rotten live together and find themselves in a myriad of adventures. The book series follows their lives and stories. The Perils of Puddin is the first book in the series. It chronicles Puddin’s emotional journey as a new puppy, Stella Fruit Bat, is brought into his life. And no one knows that Stella has a secret super power!

WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2020 'Art is a Tyrant recounts [Bonheur's] life with no little brio.' Michael Prodger, The Times Books of the Year 2020 'A diligently researched, beautifully produced and insistently sympathetic biography.' Kathryn Hughes, Guardian A new biography of the wildly unconventional 19th-century animal painter and gender equality pioneer Rosa Bonheur, from the author of the acclaimed Mistress of Paris and Renoir's Dancer. Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.

The future of politics after the pandemic COVID-19 exposed the pre-existing conditions of the current global crisis. Many Western states failed to protect their populations, while others were able to suppress the virus only with sweeping social restrictions. In contrast, many Asian countries were able to make much more precise interventions. Everywhere, lockdown transformed everyday life, introducing an epidemiological view of society based on sensing, modeling, and filtering. What lessons are to be learned? The Revenge of the Real envisions a new positive biopolitics that recognizes that governance is literally a matter of life and death. We are grappling with multiple interconnected dilemmas—climate change, pandemics, the tensions between the individual and society—all of which have to be addressed on a planetary scale. Even when separated, we are still enmeshed. Can the world govern itself differently? What models and philosophies are needed? Bratton argues that instead of thinking of biotechnologies as something imposed on society, we must see them as essential to a politics of infrastructure, knowledge, and direct intervention. In this way, we can build a society based on a new rationality of inclusion, care, and prevention.