In Art & Energy, Barry Lord argues that human creativity is deeply linked to the resources available on Earth for our survival. From our ancient mastery of fire through our exploitation of coal, oil, and gas, to the development of today's renewable energy sources, each new source of energy fundamentally transforms our art and culture—how we interact with the world, organize our communities, communicate and conceive of and assign value to art. By analyzing art, artists, and museums across eras and continents, Lord demonstrates how our cultural values and artistic expression are formed by our efforts to access and control the energy sources that make these cultures possible.

Energetic people are easy to spot. They are magnetic. They have a higher level of intensity. They radiate happiness, passion, and drive while others seem overwhelmed, exhausted, and sometimes burnt out. That vibrancy isn't just luck or good genes. Energy is a skill that you can learn and master. Vanda Martin has employed the power of energy to launch herself into success time and time again. In The Art of High Energy, she uses inspirational examples and easy-to-follow steps to show you how you can increase your energy level, strengthen your mindset, create constructive habits, improve focus, and visualize and achieve your goals. With techniques ranging from removing mental blocks, to prioritizing your goals, to improving your physical being to making time for joy, Vanda can help you exercise your energy muscles to become a positive force in the world. With focus, discipline, and enthusiasm, as well as Vanda's easy and clear ideas in this book, you can take control of your energy and transform every area of your life.

Energy Culture is a provocative book about oil's firm grip on our politics and everyday lives. It brings together essays and artwork produced in a collaborative environment to stimulate new ways of thinking and to achieve a more just and sustainable world. The original work collected in Energy Culture creatively engages energy as a social form through lively arguments and artistic research organized around three vectors of inquiry. The first maps how fossil fuels became, and continue to be, embedded in North American society, from the ideology of tar sands reclamation projects to dreams of fiber optic cables running through the Northwest Passage. The second comprises creative and artistic responses to the dominance of fossil fuels in everyday life and to the challenge of realizing new energy cultures. The final section addresses the conceptual and political challenges posed by energy transition and calls into question established views on energy. Its contributions caution against solar capitalism, explore the politics of sabotage, and imagine an energy efficient transportation system called "the switch." Imbued with a sense of urgency and hope, Energy Culture exposes the deep imbrications of energy and culture while pointing provocatively to ways of thinking and living otherwise.

It is rare that a book draws together the knowledge and experience of scientists, each a world leader in his or her discipline, to create a work that presents the state of the art in a field as rich and diverse as solar energy. In Solar Energy - the State of the Art this aim has been achieved. The book comprises twelve individual chapters, each dedicated to one of the major solar energy sub-disciplines and authored by an internationally recognised expert in the field. Areas covered range from solar radiation and meteorology, solar collectors and concentrators, solar energy and the built environment, to solar thermal electricity, photovoltaics, wind energy and the potential cost of ignoring solar energy resources. The papers examine the technology and field in question, discuss the rudiments and major applications, review the current science and technology and explore the remaining challenges for the future. Solar Energy - the State of the Art is an essential reference work for all solar energy practitioners, students, researchers and engineers wishing to gain a broad-based understanding of the theory, technology, applications and issues surrounding the broad, interdisciplinary field of solar energy. The book will form an important component of any library's solar energy holding and will be of particular benefit as an academic reference, as well as being of practical value to professionals who wish to gain a clear understanding of the concepts required to move forward in this field. Published with ISES.

A fascinating and mysterious discipline, “Selfica” creates objects made of metal, inks and colors that can interact with the environment in a positive way. Selfic structures enhance personal well-being, sensitivity, and mental and physical balance. Be it jewelry, metal structures or paintings, Selfic devices also help their users to learn more about themselves and get in touch with energetic dimensions and information fields different from those in which we are normally immersed. Selfica, developed through the research and teaching of Oberto “Falco” Airaudi, founder of Damanhur, Federation of Communities, is actually an ancient art-science, already known and used by many peoples of the past. This book recounts the experiments of many researchers and enthusiasts as well as those of the author, who has personally participated in many exciting experiences. It is a journey into a new dimension where time, space, emotions and memory respond to laws which are very different from those we are used to...

Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to achieve kinesthetic goals. In fact, the formalist approach to art was galvanized by theories of bodily response derived from experimental physiological psychology and facilitated by contemporary body cultures such as modern dance, rhythmic gymnastics, physical education, and physical therapy. Situating these complementary ideas and exercises in relation to enduring fears of neurasthenia, Veder contends that aesthetic modernism shared industrial modernity's objective of efficiently managing neuromuscular energy. In a series of finely grained and interconnected case studies, Veder demonstrates that diverse modernists associated with the Armory Show, the SociŽtŽ Anonyme, the Stieglitz circle (especially O'Keeffe), and the Barnes Foundation participated in these discourses and practices and that "kin-aesthetic modernism" greatly influenced the formation of modern art in America and beyond. This daring and completely original work will appeal to a broad audience of art historians, historians of the body, and American culture in general.