From the exodus of early modern humans to the growth of African diasporas, Africa has had a long and complex relationship with the outside world. More than a passive vessel manipulated by external empires, the African experience has been a complex mix of internal geographic, environmental, sociopolitical and economic factors, and regular interaction with outsiders. Peter Mitchell attempts to outline these factors over the long period of modern human history, to find their commonalities and development over time. He examines African interconnections through Egypt and Nubia with the Near East, through multiple Indian Ocean trading systems, through the trans-Saharan trade, and through more recent incursion of Europeans. The African diaspora is also explored for continuities and resistance to foreign domination. Commonalities abound in the African experience, as do complexities of each individual period and interrelationship. Mitchell's sweeping analysis of African connections place the continent in context of global prehistory and history. The book should be of interest not only to Africanists, but to many other archaeologists, historians, geographers, linguists, social scientists and their students.

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Interpreting Southeast Asia's Past: Monument, Image and Text features 31 papers read at the 10th International Conference of the European Association of Southeast Asian Archaeologists, held in London in September 2004. The volume covers monumental arts, sculpture and painting, epigraphy and heritage management across mainland Southeast Asia and as far south as Indonesia. New research on monumental arts includes chapters on the Bayon of Angkor and the great brick temple sites of Champa. There is an article discussing the purpose of making and erecting sacred sculptures in the ancient world and accounts of research on the sacred art of Burma, Thailand and southern China (including the first study of the few surviving Saiva images in Burma), of a spectacular find of bronze Mahayana Buddhas, and of the sculpted bronzes of the Dian culture. New research on craft goods and crafting techniques deals with ancient Khmer materials, including recently discovered ceramic kiln sites, the sandstone sources of major Khmer sculptures, and the rare remaining traces of paint, plaster and stucco on stone and brick buildings. More widely distributed goods also receive attention, including Southeast Asian glass beads, and there are contributions on Southeast Asian heritage and conservation, including research on Angkor as a living World Heritage site and discussion of a UNESCO project on the stone jars of the Plain of Jars in Laos that combines recording, safeguarding, bomb clearance, and eco-tourism development.

This book offers the first comprehensive study of 'sites of memory' in France connected to the history of French imperialism and colonialism, and the ways that the French have remembered or forgotten their colonial past. Through a study of monuments, memorials, museum collections and other 'sites of memory' in France connected with France's overseas empire this book analyzes the way in which French authorities marked the Paris and provincial landscapes with these reminders of France's colonial 'mission' during the period of imperial expansion, and the fate of these sites in the post-colonial period and what that evolution reveals about French memory and amnesia of the colonial epoch.

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.