"This 320-page hardcover book showcases some 150 Art Deco-style buildings located in big cities and small towns across Canada. More than simply a compilation of contemporary colour photographs and selected period images with informative captions, the book paints a picture of what life was like in Canada from the late 1920s to the early 1950s. The 'storytelling' aspect of this book means describes the exploits of such legendary entrepreneurs as cookie-maker William Mellis Christie, grocery merchant Theodore Pringle Loblaw, and media magnate Roy Thomson. The book explains, for example, the way Ireland's Guinness family shaped the skyline of Vancouver, how the T. Eaton Company elevated the experience of shopping, and the influence of federal, provincial and municipal politicians on the appearance of Canada's public-sector buildings. And the book reveals the rich history of some of the country's landmark sports and entertainment venues. The buildings are arranged in six 'themed' chapters with various subsections, organized around different aspects of daily life between the World Wars."--

Winner of a 2017–2018 New York City Book Award presented by the New York Society Library Of all the world's great cities, perhaps none is so defined by its Art Deco architecture as New York. Lively and informative, New York Art Deco leads readers step-by-step past the monuments of the 1920s and '30s that recast New York as the world's modern metropolis. Anthony W. Robins, New York's best-known Art Deco guide, includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattan—each accompanied by a map designed by legendary New York cartographer John Tauranac—and a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by nationally acclaimed Art Deco photographer Randy Juster. In New York Art Deco, Robins has distilled thirty years' worth of experience into a guidebook for all to enjoy at their own pace.

The definitive guide to Art Deco buildings in Britain. The perennially popular style of Art Deco influenced architecture and design all over the world in the 1920s and 1930s – from elegant Parisian theatres to glamorous Manhattan skyscrapers. The style was also adopted by British architects, but, until now, there has been little that really explains the what, where and how of Art Deco buildings in Britain. In Art Deco Britain, leading architecture historian and writer Elain Harwood, brings her trademark clarity and enthusiasm to the subject as she explores Britain's Art Deco buildings. Art Deco Britain, published in association with the Twentieth Century Society, is the definitive guide to the architectural style in Britain. The book begins with an overview of the international Art Deco style, and how this influenced building design in Britain. The buildings covered include Houses and Flats; Churches and Public Buildings; Offices; Hotels and Public Houses; Cinemas, Theatres and Concert Halls; and many more. The book covers some of the best-loved and some lesser-known buildings around the UK, such as the Midland Hotel in Morecambe, Eltham Palace, Broadcasting House and the Carreras Cigarette Factory in London. Beautifully produced and richly illustrated with architectural photography, this is the definitive guide to a much-loved architecture style.

Art Deco architecture flourished in large cities and small towns throughout America in the 1920s and 1930s. The style is now captured in over 500 color photos of 75 lavish and innovatively designed buildings across the country that have been preserved both outside and in, giving the full scope of this beloved, exciting style.

Attracting over fifteen million visitors, the 1925 Paris Expo had an ambitious goal to create a new modernist style which would reflect the great scientific, industrial, and technological advances that produced a new spirit known as "modern." In April in Paris, author Irena R. Makaryk explores the theatre arts' vital cultural and political impact at this celebrated international exhibition. Drawing extensively from unexplored archival documents from France, Austria, and North America, April in Paris is the first major study to focus on theatre arts at the 1925 Paris Expo and the audacious Soviet contributions to this fair. Turning a spotlight on the uses and representations of theatricalized spaces, Makaryk analyses their political challenge at a time when relations between the West and the USSR were rife with tension. Copiously illustrated with beautiful colour and black and white illustrations, this book elucidates the complex role of the international fair as a catalyst for spirited cultural debate and for aesthetic change.