This volume builds upon the copious and varied research on villa mosaics in Roman Britain and evaluates it within the context of elite social life in the 4th century AD. It argues that the mosaics were an integral part of the rich lifestyle of the elite in this period and played an important role in defining their status. Yet these symbols of power were apparently no longer valued to the same degree by the end of the 4th century. In a priod of increasing social and economic instability, the mosaics were one element in an elite lifestyle which was ultimately to prove socially diversive. In this wide-ranging study, Scott considers the significance and long-term impact of the artistic choices made by villa owners.

This book employs new archaeological and historical evidence to explain how and why Roman Britain became Anglo-Saxon England.

Antiquity was a multi-cultural and multi-religious world. Meetings and interactions between cultures in East and West, and the consequent widespread exchange of ideas had an enormous impact on cultural practices and the creation of identities. These cultural diversities are reflected by both the archaeological material and the written sources. Patrons of luxurious buildings, elaborate grave monuments, and churches used architecture and images to demonstrate political, social and religious power. These buildings and their embellishment with sculpture, mosaics and paintings were strong factors in communicating identity and attitudes both in the public and private spheres. The continuous production of mythological sculpture and mosaics coexisted, sometimes peacefully other times with violent consequences, with an increasing influence from new philosophical mind sets originating in the East, such as Christianity. In this period of rapid social and religious change new patrons appeared, such as bishops, who were responsible for the construction of churches commemorating the Christian triumph. The seminar focuses on the way patrons, pagan as well as Christian, conveyed messages through material culture and the responses of the viewers.

Richly illustrated and clearly written, Culture and Society at Lullingstone Roman Villa articulates a thoughtful and original approach to this remarkable site. It presents extensive scholarly research in an accessible manner and is recommended reading for academics and enthusiasts alike.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.

Antiquarian interest in the Roman period mosaics of Britain began in the 16th century. This book is the first to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention and provides a compelling insight into the agency of these remains.

This collection of papers, arising from the conference series Late Antique Archaeology, examines the housing in the late antique period, through thematic and regional syntheses, complemented by cases studies and two bibliographic essays.