The Camp Washington Capsule project was made in September and October 2018. This project was commissioned by FotoFocus as part of the 2018 Biennial, in response to the theme of "The Archive." Eliza Gregory was invited to Wave Pool to complete this project, and she invited Gemma-Rose Turnbull to work with her. Turnbull came from Australia to complete the onsite work, and Gregory advised the project from Woodland, California.25 community members were interviewed over the period of residence. We focused on those people intentionally growing the place (through art, food, and other making) as well as those long-term residents extending their knowledge to newcomers.We had surveys in place at the gallery, and the questions were used as the loose basis of the interviews. Material was collected from sources like Facebook groups, which included posts and clippings, as well as from the people interviewed. Photographs were made by digital and film cameras, as well as cell phone. Surveys, articles, photographs, books, and other materials were scanned.The 480-page publication should be thought of as a catalogue of the available material. Which is available as a digital archive to be accessed and used as needed by future artists, as well as by the current and future community of Camp Washington.

The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.

Ten-year anniversary exhibition catalog for Dyke Action Machine (DAM!), the New York City-based public art duo founded by photographer, Sue Schaffner and painter, Carrie Moyer. "Straight to Hell: 10 Years of Dyke Action Machine!" published concurrent with DAM!'s retrospective exhibition at Yerba Buena Center for the Arts, San Francisco, CA, May 4-July 14, 2002.

"Conserving the Oceans: The Politics of Large Marine Protected Areas documents the efforts of activists and states to increase the pace and scale of global ocean protections, leading to a new global norm in ocean conservation of large marine protected areas exceeding 200,000 km2. Through an analysis of domestic political economies, the book explains how states have protected millions of square kilometers of ocean space while remaining highly responsive to the interests of businesses. It argues that states design environmental policies above all around two key features of a given space: (1) the composition of extractive versus non-extractive industry interests; and (2) the salience of various industry interests, defined as the degree to which businesses would suffer tangible and significant costs in response to new environmental regulations. Through an analysis of large marine protected area advocacy campaigns in Australia, Palau, and the United States, this book demonstrates how the political economy of a given marine space shapes how governments align their environmental and economic goals, sometimes strengthening conservation but more often than not undermining it. While recognizing important global progress and growing ambition to conserve ocean ecosystems, Conserving the Oceans demonstrates that even ambitious large marine protected areas have so far not fundamentally challenged a neoliberal paradigm of environmentalism that has caused considerable ecological harm"--