The first accessible reader on magic’s generative relationship with contemporary art practice. From the hexing of presidents to a renewed interest in herbalism and atavistic forms of self-care, magic has furnished the contemporary imagination with mysterious and often disorienting bodies of arcane thought and practice. This volume brings together writings by artists, magicians, historians, and theorists that illuminate the vibrant correspondences animating contemporary art’s varied encounters with magical culture, inspiring a reconsideration of the relationship between the symbolic and the pragmatic. Dispensing with simple narratives of reenchantment, Magic illustrates the intricate ways in which we have to some extent always been captivated by the allure of the numinous. It demonstrates how magical culture’s tendencies toward secrecy, occlusion, and encryption might provide contemporary artists with strategies of remedial communality, a renewed faith in the invocational power of personal testimony, and a poetics of practice that could boldly question our political circumstances, from the crisis of climate collapse to the strictures of socially sanctioned techniques of medical and psychiatric care. Tracing its various emergences through the shadows of modernity, the circuitries of ritual media, and declarations of psychic self-defence, Magic deciphers the evolution of a “magical-critical” thinking that productively complicates, contradicts and expands the boundaries of our increasingly weird present.

Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

We delight in using our eyes, particularly when puzzling over pictures. Art and illusionists is a celebration of pictures and the multiple modes of manipulating them to produce illusory worlds on flat surfaces. This has proved fascinating to humankind since the dawning of depiction. Art and illusionists is also a celebration of the ways we see pictures, and of our ability to distil meaning from arrays of contours and colours. Pictures are not only a source of fascination for artists, who produce them, but also for scientists, who analyse the perceptual effects they induce. Illusions provide the glue to cement the art and science of vision. Painters plumb the art of observation itself whereas scientists peer into the processes of perception. Both visual artists and scientists have produced patterns that perplex our perceptions and present us with puzzles that we are pleased to peruse. Art and illusionists presents these two poles of pictorial representation as well as presenting novel ‘perceptual portraits’ of the artists and scientists who have augmented the art of illusion. The reader can experience the paradoxes of pictures as well as producing their own by using the stereoscopic glasses enclosed and the transparent overlay for making dynamic moiré patterns.

Professional magician Joshua Jay's (author of Magic: The Complete Course) brief and fascinating essays offer an inside look at how the very best magicians think about magic, how they practice and put together a show, what inspires them, and the psychology behind creating wonder and being tricked when we expect both, as well as why we seek magic in the first place.

Magic is an age-old art form, which has the power to amaze and amuse both children and adults alike. This fully illustrated book includes over 120 amazing magic tricks to be used on a variety of different occasions. It offers simple tricks as well as some designed for the more advanced practitioner. History of Mystery: the book opens with an introduction to the most important events and names in magic's rich history, including comedy and close-up magicians, illusionists and television magicians. Card Magic: the scope for performing tricks with cards is enormous. This chapter explains how to grip, shuffle and control cards, how to force cards, do self-working tricks and peform advanced card flourishes. Dinner Table Magic: items found on the dinner table can be used to entertain and amaze your guests. The tricks in this chapter focus on glasses, napkins, cutlery, straws, cups and sugar cubes. Match Magic: the shape and size of matches make them ideal for creating optical illusions and simple magic tricks. With a box of matches in your pocket, you can perform an entire magic show. String, Cord and Rope Magic: the cut and restored rope effect is a staple of the magician's repertoire. This chapter shows how to do this and other illusions such as making a knot disappear at will. Mind Magic: your audiences will believe that you have psychic powers with the routines in this chapter. There are many ways of creating the impression of mind-reading and thought transference. Silk, Thimble and Paper Magic: tricks using handkerchiefs and small objects have always been popular. This chapter shows how to do a variety of sleights of hand with these everyday props. Money Magic: everyone enjoys watching money appear out of thin air! Once you have learnt basic techniques such as palming and vanishing, there are many tricks to perform with both coins and banknotes. This book reveals the secrets of a wide range of tricks, and explains how to achieve a polished performance, with tips and advice on planning patter, rehearsing, and creating your own performance style. Step-by-step instructions with over 1000 photographs make it an indispensable guide for anyone seeking to master this fascinating art.

From antiquity to the Enlightenment, astrology, magic, and alchemy were considered important tools to unravel the mysteries of nature and human destiny. As a result of the West's exposure during the Middle Ages to the astrological beliefs of Arab philosophers and the mystical writings of late antiquity, these occult traditions became rich sources of inspiration for Western artists. In this latest volume in the popular Guide to Imagery series, the author presents a careful analysis of occult iconography in many of the great masterpieces of Western art, calling out key features in the illustrations for discussion and interpretation. Astrological symbols decorated medieval churches and illuminated manuscripts as well as fifteenth-century Italian town halls and palaces. The transformational zymology of magic and alchemy that enlivened the work of a wide range of Renaissance artists, including Bosch, Brueghel, D: urer, and Caravaggio, found renewed expression in the visionary works of nineteenth-century artists, such as Fuseli and Blake, as well as in the creative output of the twentieth century's Surrealists.