"Susan Langdon is associate professor of Greek art and archaeology at the University of Missouri."--BOOK JACKET.

In this innovative study, James Whitley examines the relationship between the development of pot style and social changes in the Dark Age of Greece (1100-700 BC). He focuses on Athens where the Protogeometric and Geometric styles first appeared. He considers pot shape and painted decoration primarily in relation to the other relevant features - metal artefacts, grave architecture, funerary rites, and the age and sex of the deceased - and also takes into account different contexts in which these shapes and decorations appear. A computer analysis of grave assemblages supports his view that pot style is an integral part of the collective representations of Early Athenian society. It is a lens through which we can focus on the changing social circumstances of Dark Age Greece. Dr Whitley's approach to the study of style challenges many of the assumptions which have underpinned more traditional studies of Early Greek art.

The period from 1200 BC onwards saw vast changes in every aspect of life on both the Greek mainland and islands as monarchies disappeared and were replaced by aristocratic rule and a new form of community developed: the city-state. Alongside these changes a new style of warfare developed which was to be the determining factor in land warfare in Greece until the defeat of the Greek city-state by the might of Macedonia at Chaeronea in 338 BC. This mode of warfare was based on a group of heavily armed infantrymen organized in a phalanx formation – the classic hoplite formation – and remained the system throughout the classical Greek period. This new title details this pivotal period that saw the transition from the Bronze Age warriors of Homer to the origins of the men who fought the Persian and Peloponnesian Wars.

Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline

This handsomely illustrated book offers a broad synthesis of Archaic Greek culture. Unlike other books dealing with the art and architecture of the Archaic period, it places these subjects in their historical, social, literary, and intellectual contexts. Origins and originality constitute a central theme, for during this period representational and narrative art, monumental sculpture and architecture, epic, lyric, and dramatic poetry, the city-state (polis), tyranny and early democracy, and natural philosophy were all born.