Since turning to the field of Jewish art over twenty years ago, Vivian Mann has concentrated on investigating Jewish ceremonial art within the dual contexts of Jewish law, and the history of decorative arts in general, including the ceremonial art made for the Church and the Mosque. The introduction to this volume considers classic rabbinic attitudes toward art and its relationship to spirituality. The remaining essays are divided into three groups: the first concerns medieval ceremonial art; the second, articles on the Jewish art of Muslim lands beginning with the early Middle Ages; and the third consists of essays on Judaica during the periods of the Renaissance and rococo.

Exploring a contemporary Judaism rich with the textures of family, memory, and fellowship, Jodi Eichler-Levine takes readers inside a flourishing American Jewish crafting movement. As she traveled across the country to homes, craft conventions, synagogue knitting circles, and craftivist actions, she joined in the making, asked questions, and contemplated her own family stories. Jewish Americans, many of them women, are creating ritual challah covers and prayer shawls, ink, clay, or wood pieces, and other articles for family, friends, or Jewish charities. But they are doing much more: armed with perhaps only a needle and thread, they are reckoning with Jewish identity in a fragile and dangerous world. The work of these crafters embodies a vital Judaism that may lie outside traditional notions of Jewishness, but, Eichler-Levine argues, these crafters are as much engaged as any Jews in honoring and nurturing the fortitude, memory, and community of the Jewish people. Craftmaking is nothing less than an act of generative resilience that fosters survival. Whether taking place in such groups as the Pomegranate Guild of Judaic Needlework or the Jewish Hearts for Pittsburgh, or in a home studio, these everyday acts of creativity—yielding a needlepoint rabbi, say, or a handkerchief embroidered with the Hebrew words tikkun olam—are a crucial part what makes a religious life.

From mezuzahs to menorahs, these outstanding Jewish ceremonial and ritual objects make a beautiful new addition to the celebrated "500" series. Contemporary in style and lovingly handcrafted, they come from North America, Europe and Israel and demonstrate the diversity of Judaism. The artworks include tzedakah boxes, ketubahs, tallits, Shabbat candlesticks, havdalah sets, Kiddush cups, Torah pointers, kippahs, Seder plates and dreidels.

Alongside the formal development of Judaism from the eleventh through the sixteenth centuries, a robust Jewish folk religion flourished—ideas and practices that never met with wholehearted approval by religious leaders yet enjoyed such wide popularity that they could not be altogether excluded from the religion. According to Joshua Trachtenberg, it is not possible truly to understand the experience and history of the Jewish people without attempting to recover their folklife and beliefs from centuries past. Jewish Magic and Superstition is a masterful and utterly fascinating exploration of religious forms that have all but disappeared yet persist in the imagination. The volume begins with legends of Jewish sorcery and proceeds to discuss beliefs about the evil eye, spirits of the dead, powers of good, the famous legend of the golem, procedures for casting spells, the use of gems and amulets, how to battle spirits, the ritual of circumcision, herbal folk remedies, fortune telling, astrology, and the interpretation of dreams. First published more than sixty years ago, Trachtenberg's study remains the foundational scholarship on magical practices in the Jewish world and offers an understanding of folk beliefs that expressed most eloquently the everyday religion of the Jewish people.

Complete, authoritative, and indispensable, The New Jewish Wedding provides the couple with options--some new, some old--to create a wedding combining spiritual meaning and joyous celebration. Step-by-step, Diamant guides readers through planning the cermony and the party that follows--from finding a rabbi and wording the invitations to hiring a caterer.

Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.