The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. Written by specialists in history, archaeology, anthropology, art history, and linguistics, these essays reassess the ways that the Cham have been studied.

The history of Vietnam is one of spectacular confrontations, both cultural and ideological between the world of the Chinese - a world adopted by the ethnic Viet living in the Red river basin - and the Indian world - facets of which are seen in the Cham, whose numerous small kingdoms were strung out all along the coast from north of Hue to south of Phan Rang. This book will firstly present the history of Vietnam from the 6th to 15th centuries, highlighting the clashes between the two major civilisations which are the foundation of modern Vietnam. The second part will deal with the archaeology of the sites which are a testament to this history. Maps, plans and numerous photographs will help us to experience the history of ancient Vietnam both in its early beginnings and its subsequent evolution. Traces the history of Vietnam from its early beginnings to the emergence of the Cham civilisation and beyond Explores numerous archaeological sites and monuments In-depth research by a world renowned scholar Includes maps and plans of important archaeological and historical sites 300 colour photographs

The kings of ancient Champa, a civilization located in the central region of today's Vietnam, started building sacred temples in a circular valley more than 1500 years ago. The monuments, now known by the Vietnamese name M? So'n, were discovered by nineteenth-century colonial soldiers and first studied by the French architect Henri Parmentier. Bombed during the Vietnam War, the ruins of the brick towers, decorated with exquisite carvings and sculptures, were designated as a UNESCO World Cultural Heritage site in 1999. An Italian team has worked at the site for the last ten years, doing archaeological research and restoration work in cooperation with Vietnamese specialists. This book is the first published volume based on their efforts. The opening section consists of historical, anthropological and architectural studies of the civilization of Champa. The remainder of the book presents an unusually intimate and extensively illustrated portrait of the archaeologists' research and restoration work at M? So'n. While this book is important for specialists and students of the history and archaeology of Champa and Southeast Asia, it also tells a fascinating story that will appeal to general readers and visitors to this exceptional archaeological site.

Urbanization and Religion in Ancient Central Mexico examines the ways in which urbanization and religion intersected in pre-Columbian central Mexico. It provides a materially informed history of religion and an archaeology of cities that considers religion as a generative force in societal change.

Painting has played a significant role in modern Vietnam. Postage stamps, billboards, and annual national exhibitions attest to its fundamental place in a country where painters may be hailed as national heroes and include among their number fervent nationalists, propagandists, even dissidents. As Vietnamese painting has gained prominence in the contemporary transnational art circuits of Southeast Asia, many artists have become millionaires, yet Vietnamese painting is generally overlooked in art history surveys of the region. Nora Taylor sets out here to change that. Painters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it.

"Explores Viet Nam's rich heritage, from the Sa Huynh culture (1st millennium B.C.) to art from Hoi An. The authors discuss links between Viet Nam and Indonesia, reflected in the Hindu and Buddhist temples and stone sculptures, and investigate trade in gold and Chinese ceramics with Butuan"--Provided by publisher.