Introducing the Continental Op—legendary hardboiled sleuth—in the first of seven short-story collections featuring Dashiell Hammett’s infamous detective The house is soaked with gasoline, and it takes only a spark for it to be engulfed in flames. As the ruins smolder, the case-hardened operative from the Continental Detective Agency is the one person determined to untangle the tough questions: Who tossed the match and why? Was it an angry neighbor, a disgruntled servant, or the old man in the window who was seen giving one last look at the world before the fire consumed him? In the wreckage of the ruined house, the Continental Op will find that nothing burns hotter than greed. “Arson Plus” is the story that introduced the world to the Continental Op, the nameless detective whom Dashiell Hammett described as “a little man going forward day after day through mud and blood and death and deceit—as callous and brutal and cynical as necessary” (William F. Nolan, Dashiell Hammett: A Casebook). Born in the pages of Black Mask in 1923, the Continental Op is ageless, a hardworking hero as much for our time as he is for his own. Rediscover the early stories of the original hardboiled detective in the first volume of the Collected Case Files of the Continental Op, featuring “Arson Plus,” “Slippery Fingers,” and “Crooked Souls.”

"Arson Plus" is the story that introduced the world to the Continental Op, the nameless detective whom Dashiell Hammett described as "a little man going forward day after day through mud and blood and death and deceit-as callous and brutal and cynical as necessary" (William F. Nolan, Dashiell Hammett: A Casebook). Born in the pages of Black Mask in 1923, the Continental Op is ageless, a hardworking hero as much for our time as he is for his own. Rediscover the early stories of the original hardboiled detective in the first volume of the Collected Case Files of the Continental Op, featuring "Arson Plus," "Slippery Fingers," and "Crooked Souls."

'He is master of the detective novel, yes, but also one hell of a writer' Boston Globe Dashiell Hammett is the true inventor of modern detective fiction and the creator of the private eye, the isolated hero in a world where treachery is the norm. THE CONTINENTAL OP was his great first contribution to the genre and these seven stories, which first appeared in the magazine Black Mask, are the best examples of Hammett's early writing, in which his formidable literary and moral imagination is already operating at full strength. THE CONTINENAL OP is the dispassionate fat man working for the Continental Detective Agency, modelled on the Pinkerton Agency, whose only interest is in doing his job in a world of violence, passion, desperate action and great excitement.

Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself. The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.

A New York Times Notable Book of the Year A Washington Post Notable Book of the Year One of Amazon’s 20 Best Books of the Year Named one of the Best Books of the Year by Buzzfeed, Bustle, NPR, NYLON, and Thrillist Finalist for the Goodreads Book Award (Nonfiction) Finalist for the Edgar Award (Best Fact Crime) A Book of the Month Club Selection A New York Times Book Review Editors’ Choice Selection “A brisk, captivating and expertly crafted reconstruction of a community living through a time of fear.... Masterful.” —Washington Post The arsons started on a cold November midnight and didn’t stop for months. Night after night, the people of Accomack County waited to see which building would burn down next, regarding each other at first with compassion, and later suspicion. Vigilante groups sprang up, patrolling the rural Virginia coast with cameras and camouflage. Volunteer firefighters slept at their stations. The arsonist seemed to target abandoned buildings, but local police were stretched too thin to surveil them all. Accomack was desolate—there were hundreds of abandoned buildings. And by the dozen they were burning. “One of the year’s best and most unusual true-crime books” (Christian Science Monitor), American Fire brings to vivid life the reeling county of Accomack. “Ace reporter” (Entertainment Weekly) Monica Hesse spent years investigating the story, emerging with breathtaking portraits of the arsonists—troubled addict Charlie Smith and his girlfriend, Tonya Bundick. Tracing the shift in their relationship from true love to crime spree, Hesse also conjures the once-thriving coastal community, decimated by a punishing economy and increasingly suspicious of their neighbors as the culprits remained at large. Weaving the story into the history of arson in the United States, the critically acclaimed American Fire re-creates the anguished nights this quiet county lit up in flames, evoking a microcosm of rural America—a land half-gutted before the fires began.

The “propulsive and mesmerizing” (The New York Times) story collection by the International Booker–shortlisted author of The Dangers of Smoking in Bed and Our Share of Night—now with a new short story. The short stories of Mariana Enriquez are: “The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro “Violent and cool, told in voices so lucid they feel spoken.”—The Boston Globe (Best Books of the Year) Electric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves and regrets, there is also friendship, compassion, and humor. Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories ask the biggest questions of life and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.

Susan Orlean’s bestseller and New York Times Notable Book is “a sheer delight…as rich in insight and as varied as the treasures contained on the shelves in any local library” (USA TODAY)—a dazzling love letter to a beloved institution and an investigation into one of its greatest mysteries. “Everybody who loves books should check out The Library Book” (The Washington Post). On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. The fire was disastrous: it reached two thousand degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a “delightful…reflection on the past, present, and future of libraries in America” (New York magazine) that manages to tell the broader story of libraries and librarians in a way that has never been done before. In the “exquisitely written, consistently entertaining” (The New York Times) The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries; brings each department of the library to vivid life; studies arson and attempts to burn a copy of a book herself; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago. “A book lover’s dream…an ambitiously researched, elegantly written book that serves as a portal into a place of history, drama, culture, and stories” (Star Tribune, Minneapolis), Susan Orlean’s thrilling journey through the stacks reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country.