Over seventy-five million Americans listen to podcasts every month, and the average weekly listener spends over six hours tuning into podcasts from the more than thirty million podcast episodes currently available. Yet despite the excitement over podcasting, the sounds of podcasting’s nascent history are vulnerable and they remain mystifyingly difficult to research and preserve. Podcast feeds end abruptly, cease to be maintained, or become housed in proprietary databases, which are difficult to search with any rigor. Podcasts might seem to be highly available everywhere, but it’s necessary to preserve and analyze these resources now, or scholars will find themselves writing, researching, and thinking about a past they can’t fully see or hear. This collection gathers the expertise of leading and emerging scholars in podcasting and digital audio in order to take stock of podcasting’s recent history and imagine future directions for the format. Essays trace some of the less amplified histories of the format and offer discussions of some of the hurdles podcasting faces nearly twenty years into its existence. Using their experiences building and using the PodcastRE database—one of the largest publicly accessible databases for searching and researching podcasts—the volume editors and contributors reflect on how they, as media historians and cultural researchers, can best preserve podcasting’s booming audio cultures and the countless voices and perspectives podcasting adds to our collective soundscape.

They were almost The Pendletones--after the Pendleton wool shirts favored on chilly nights at the beach--then The Surfers, before being named The Beach Boys. But what separated them from every other teenage garage band with no musical training? They had raw talent, persistence and a wellspring of creativity that launched them on a legendary career now in its sixth decade. Following the musical vision of Brian Wilson, the Beach Boys blended ethereal vocal harmonies, searing electric guitars and lush arrangements into one of the most distinctive sounds in the history of popular music. Drawing on original interviews and newly uncovered documents, this book untangles the band's convoluted early history and tells the story of how five boys from California formed America's greatest rock 'n' roll band.

The voices Australia should hear This beautifully illustrated book captures the stories of those who have lived the experience of seeking asylum. In their own voices, contributors share how they came to be in Australia, and explore diverse aspects of their lives: growing up in a refugee camp, studying for a PhD, changing attitudes through soccer, being a Muslim in a small country town, campaigning against racism, surviving detention, holding onto culture, dreaming of being reunited with family. There are stories of love, pain, injustice, achievement and everything in between. Accompanied by beautiful portrait photographs, they show the depth and diversity of people’s experience and trace the impact of Australia’s immigration policies. Seeking Asylum also includes a foreword by Liliana Maria and an essay by Abdul Karim Hekmat on the human, social and political impact of Australia’s treatment of people seeking asylum over the last fifty years. With an afterword by Kon Karapanagiotidis and supporting material demystifying Australia’s current policies from Julian Burnside, Seeking Asylum redefines assumptions about people who have sought asylum and inspires readers to take action to create a more welcoming Australia. 100% of the proceeds from Seeking Asylum: Our Stories will be reinvested by the ASRC to fund projects that build people’s capacity to tell their story in their own way and provide opportunities to amplify their voices. One area of investment will continue to be the ASRC’s Community Advocacy and Power Program (CAPP). The CAPP training program, offered nationally, provides participants with skills in advocacy, community organising / mobilising, public speaking and effective media engagement.