From Agatha Christie’s favorite American author—creepy correspondence from a Manhattan mansion puts an amateur sleuth on the trail of a killer. Take one grand house, stuff it with staff, and make it home to several generations. If they send their sons to Oxford and occasionally knock each other off, you’ve got a country-house murder mystery, the delight of classic English crime fiction. But if the boys are at Yale, odds are that you’re reading its American counterpart, the New York mansion mystery—a genre largely invented by Elizabeth Daly. In Arrow Pointing Nowhere, Daly is back on the Upper East Side, where antiquarian book dealer Gamadge has been receiving missives suggesting that all is not right at the elegant Fenway mansion. But first he must find out who the messages are from . . . “Highly recommended.” —New Republic “Told with all the skill that Miss Daly has at her command, and she has plenty.” —New York Times

Marshall Ganz is one of the world's leading authorities on democratic organizing, and this book is the culmination of his decades of teaching, research, and work. In People, Power, Change, Ganz distills for students, practitioners, and activists the principles he has gleaned over the last half-century about the practice and craft of creating collective action.

The Wished For Country is set during the founding of the Maryland colony in the mid-seventeenth century. It traces the entwined lives of James Hallam, a carpenter and indentured servant; Ezekiel, an African slave brought to Maryland from Barbados; and Tawzin, a Piscataway Indian, kidnapped to England when a child, and now back in America. While Hallam goes on to become a soldier and a player in the politics of the Maryland colony, Ezekiel and Tawzin become the center of an outcast group of Blacks, poor whites, and Native Americans, who find themselves striving to reinvent themselves and their world. The stories of these three men, the women who love them, and the community they form, bring to vivid life the experiences of those who came to America pulled by a dream of what could be shaped from an emptiness that embodied promise, of those who were unwillingly brought to be the instruments of that dream, and of those who saw the shape of their world forever changed by the coming of the Europeans.

How to imagine not only a new art or architecture but a new self or subject equal to them? In Prosthetic Gods, Hal Foster explores this question through the works and writings of such key modernists as Gauguin and Picasso, F. T. Marinetti and Wyndham Lewis, Adolf Loos and Max Ernst. These diverse figures were all fascinated by fictions of origin, either primordial and tribal or futuristic and technological. In this way, Foster argues, two forms came to dominate modernist art above all others: the primitive and the machine. Foster begins with the primitivist fantasies of Gauguin and Picasso, which he examines through the Freudian lens of the primal scene. He then turns to the purist obsessions of the Viennese architect Loos, who abhorred all things primitive. Next Foster considers the technophilic subjects propounded by the futurist Marinetti and the vorticist Lewis. These "new egos" are further contrasted with the "bachelor machines" proposed by the dadaist Ernst. Foster also explores extrapolations from the art of the mentally ill in the aesthetic models of Ernst, Paul Klee, and Jean Dubuffet, as well as manipulations of the female body in the surrealist photography of Brassai, Man Ray, and Hans Bellmer. Finally, he examines the impulse to dissolve the conventions of art altogether in the drip paintings of Jackson Pollock, the scatter pieces of Robert Morris, and the earthworks of Robert Smithson, and traces the evocation of lost objects of desire in sculptural work from Marcel Duchamp and Alberto Giacometti to Robert Gober. Although its title is drawn from Freud, Prosthetic Godsdoes not impose psychoanalytic theory on modernist art; rather, it sets the two into critical relation and scans the greater historical field that they share.

This book constitutes the proceedings of the 16th Brazililan Symposium on Programming Languages, SBLP 2012, held in Natal, Brazil, in September 2012. The 10 full and 2 short papers were carefully reviewed and selected from 27 submissions. The papers cover various aspects of programming languages and software engineering.

"A selection of the finest poems from the preeminent Brazilian poet of the twentieth century"--