Masterful Argentine arranger/composer/pianist Claudio M'ndez presents ten pieces arranged in a real Tango style.The first collection of tango piano arrangements ever published outside of Argentina.This work is particularly intended for pianists who, although they know their instrument well, are not familiar with the genre.With this book M'ndez has crossed a huge divide of language, poetry and culture to make the true sound of the tango come alive for pianists all over the world. It is a unique collection of tangos arranged in a perfect argentine style appropriate for ballroom as well as concerts and personal enjoyment. These carefully arranged pieces represent well-known tango composers and were chosen because of their musical qualities of artistic expression. Each arrangement recreates the real feeling of tango that is difficult to find in the traditional piano scores often written in the early 20th century style that bears little resemblance to the modern sound. Finally you will find the way to sound as a real tango pianist! The book includes compositions by Villoldo, Gardel, Mores and others. A theory chapter describes the different tango secrets . M'ndez takes you on an amazing journey to the tango piano style. Through his clear explanations and arrangements you will learn what you really need to know about tango in this complete book for the intermediate / advanced player.-------------TANGO THEORY:The book presents a detailed section on tango theory followed by ten amazing examples. This chapter makes this book a comprehensive tango course for pianists really easy to understand: rhythmical patterns, melody variations, and many effects as well as a complete description of the three species of the genre: Tango, Milonga and Tango-Waltz. The aim of this book is to help those academic pianists who are interested in learning the rhythmical and melodic structures of Argentine Tangos. ----------- THE ARRANGEMENTS: This collection contains 10 beautiful and clear arrangements with an unquestionable musical value that will help you to play tango in the proper Argentine Style.Each piece is filled with rhythmic devices, chord placement, baselines, and melodic ornamentation and improvisation as used by the most respected pianists of the tango. When you finish this book, you will have all the technical tools and stylistic vision to interpret the multitude of tango piano scores in el estilo justo .The modern tango piano style comes through in these elegant arrangements. The syncopated tango execution, the melody nuances and articulations are clearly written and make them very accessible for the piano player. These arrangements are a fresh approach to the Tango and an incentive to discover the expressive possibilities of this genre. It is a valuable addition to any piano library. All the texts are presented in Spanish and English. ------------------CONTENTS>Tangos: Cambalache, El Choclo, Tomo y Obligo, Melod?¡a de Arrabal, Gricel, El ?Ültimo Caf?'. Milongas: Corralera, Milonga Triste. Tango-Waltzes: Pedacito de Cielo, Tu Vieja Ventana.---------------------------Visit www.myspace.com/claudiomendezpiano and listen to the arrangements played by Claudio M'ndez himself.

Two books, bound together, by one of the greatest pianists of all time and his famed teacher: The Shortest Way to Pianistic Perfection and Rhythmics, Dynamics, Pedal and Other Problems of Piano Playing.

From Abba to ZZ Top by way of James Brown, Artie Shaw, and Frank Sinatra, this comprehensive reference book on popular music encompasses the extraordinary range of modern music from country, cabaret, reggae, folk, gospel, rock 'n' roll, and swing. More than 3,000 entries illuminate the careers of top performers, sognwriters, and musicians and outline the histories of important record labels.

This volume presents two books in one--THE SHORTEST WAY TO PIANISTIC PERFECTION (1932) and RHYTHMICS, DYNAMICS, PEDAL AND OTHER PROBLEMS OF PIANO PLAYING (1938)--long sought by students and teachers looking for a radical approach toward developing not only finger technique but expression technique. The book includes complete scores of works discussed in the text.

In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or “leopard,” which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.