This is a new release of the original 1941 edition.

Everywhere England go to play Test cricket, the Barmy Army follows, giving them unstinting support and always searching for the best songs, chants and banter to help their team overcome the opposition. This hilarious book collects the best and funniest songs and chants from almost 20 years of enthusiastic backing. The book not only reveals how the chants were created, but also how the players responded to hearing their names being sung and how much it meant to them. There are also revealing interviews with some of the Barmy Army's leading songwriters, who provide a fascinating insight into what makes for a truly great chant. Sometimes, of course, the Barmy Army targeted the opposition, and 'The Mitchell Johnson Song' helped England on their way to a famous Ashes triumph in 2010-11. From the classic 'Ball and Chain' to the more recent 'Swann Will Tear You Apart', this book is an ideal way to get into the true Barmy spirit.

Wearing thick glasses, speaking in her thick Icelandic accent, and, well, seeming a touch thick, Bjork stormed the public consciousness in 2000 as an unlikely heroine in the experimental musical film Dancer In the Dark. Army of She is an in-depth look at the woman who first took the public stage twenty-three years ago, analyzing her rise from child prodigy to punk anarchist to New Wave novelty (as member of the Sugarcubes) to hit soloist to film star.

This inspiring collection of Salvation Army music features classic hymns and marches that have been sung and played by generations of Salvationists around the world. With its uplifting melodies and powerful messages of faith, it's a testament to the enduring power of music to transform lives. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout--the counterclockwise song, dance, drum, and story in African American history and culture--Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history.