Featuring contributions from Jean Rabe, Fiona Patton, Tanya Huff, and Jody Lynn Nye, this collection of original tales visits a vast array of magical places where armies, comprised of fantastical creatures, secret weapons, and state-of-the art technology, wage war throughout the universe. Original.

• In-depth visual reference for every artist of war comics • Top-gun artists from DC/Wildstorm • 4th in Watson-Guptill's super-successful fantasy-comics series War offers compelling subject matter for artists: life-or-death battles, conflict, bravery. For sixty years, war comics have attracted the biggest names in the industry, including Jack Kirby, Will Eisner, Harvey Kurtzman, and Wally Wood.Gung Ho! How to Draw Fantastic Military Comicsoffers an introduction to war comics, then goes on to page after page after page of essentials for drawing accurate military personnel (including infantry, Navy Seals, Green Berets, and more); military vehicles (jeeps to M1-A1 tanks and beyond), military planes (F-14s to stealth planes), military boats (rafts, submarines, aircraft carriers, more), and military armory (knives, pistols, antiaircraft guns, and many others). Featuring the work of a team of DC/Wildstorm comic-book top guns,Gung Ho!is essential for any artist who wants to be fully prepared for battle.

There’s no rest for the weary treasure hunter, but that’s how Indiana Jones likes it. Fresh from spying for the Allies in the thick of World War II Germany, the globe-trotting archaeologist doesn’t need much persuading to join his cohort “Mac” McHale in searching for one of the most coveted of artifacts: the fabled black pearl known as the Heart of Darkness. But the partners in adventure are not alone on their foray into the mysterious jungles of Haiti. German and Japanese agents are in hot pursuit, determined to possess the ebony artifact–and its secrets–for their own sinister purposes. And shadowing them all is an infamous voodoo priest, with powers of both diabolical science and black magic at his command. On a treacherous odyssey across the Island of the Dead, where the legend of the zombi looms large, spiders, snakes, and booby traps will prove the least of Indy’s challenges. And capturing the prize will be child’s play compared to confronting an enemy unlike any other, whose numbers are legion and nearly impossible to kill–because they’re already dead. . . .

For Hitler and the German military, 1942 was a key turning point of World War II, as an overstretched but still lethal Wehrmacht replaced brilliant victories and huge territorial gains with stalemates and strategic retreats. In this major reevaluation of that crucial year, Robert Citino shows that the German army's emerging woes were rooted as much in its addiction to the "war of movement"-attempts to smash the enemy in "short and lively" campaigns-as they were in Hitler's deeply flawed management of the war. From the overwhelming operational victories at Kerch and Kharkov in May to the catastrophic defeats at El Alamein and Stalingrad, Death of the Wehrmacht offers an eye-opening new view of that decisive year. Building upon his widely respected critique in The German Way of War, Citino shows how the campaigns of 1942 fit within the centuries-old patterns of Prussian/German warmaking and ultimately doomed Hitler's expansionist ambitions. He examines every major campaign and battle in the Russian and North African theaters throughout the year to assess how a military geared to quick and decisive victories coped when the tide turned against it. Citino also reconstructs the German generals' view of the war and illuminates the multiple contingencies that might have produced more favorable results. In addition, he cites the fatal extreme aggressiveness of German commanders like Erwin Rommel and assesses how the German system of command and its commitment to the "independence of subordinate commanders" suffered under the thumb of Hitler and chief of staff General Franz Halder. More than the turning point of a war, 1942 marked the death of a very old and traditional pattern of warmaking, with the classic "German way of war" unable to meet the challenges of the twentieth century. Blending masterly research with a gripping narrative, Citino's remarkable work provides a fresh and revealing look at how one of history's most powerful armies began to founder in its quest for world domination.

My Soldier Dad eloquently captures the essence of what it means to be a soldier, but also what it means to love a soldier. Told from a child's perspective, the story illustrates the grand scale of the military, the broad scope of various missions and operations, and the importance of a family's love and connectedness.

Prepare to be scared! Ash's adventures have bordered on the ridiculous and absurd, but the series takes a grave turn to the dark side as he is forced to confront one of the original locales of deep Kandarian dominance. Traveling to the old cabin, Ash must destroy the anchor holding the spirit in the woods to this dimension if he wants to claim the prize... a chance to save the soul of his lost maiden. Something evil is lurking in the fruit cellar... and it wants to tear your soul apart!

Getting the Message Through, the companion volume to Rebecca Robbins Raines' Signal Corps, traces the evolution of the corps from the appointment of the first signal officer on the eve of the Civil War, through its stages of growth and change, to its service in Operation DESERT SHIELD/DESERT STORM. Raines highlights not only the increasingly specialized nature of warfare and the rise of sophisticated communications technology, but also such diverse missions as weather reporting and military aviation. Information dominance in the form of superior communications is considered to be sine qua non to modern warfare. As Raines ably shows, the Signal Corps--once considered by some Army officers to be of little or no military value--and the communications it provides have become integral to all aspects of military operations on modern digitized battlefields. The volume is an invaluable reference source for anyone interested in the institutional history of the branch.